Camera Quotes
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He was my hero. I enjoyed being with him. He wasn't as stern as he was on camera. He was like a kid around me.
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You don't just turn on a camera and do a cooking show. If you want to go somewhere with something, you've got to make it look like what it's supposed to look like five years from now.
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My co-stars call me selfish. They say, 'You are only interested in yourself and what you are only interested is yourself and what you are doing in front of the camera.' I reply, 'I can't help it; it's what got me where I am.'
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The nude scenes were a little eerie and I felt a bit odd. Yeah, when the camera scanned up my body, I said to my friend, 'Now, that's a close-up.' I mean, you see every inch of my body. But I'm okay with it and so it was cool.
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I'm one of those people, when I see a film, I believe it to be true. You know, sort of the authenticity of the camera and seeing things on a screen.
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I quit my job. I bought myself a real cheap, like, around-the-world flight ticket, and I went to 16 countries for six months just backpacking, living in cheap hostels, looking for stories with a camera and my ex-girlfriend.
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People are so used to having their lives filmed, they're not even conscious of having cameras around. I still have that sort of suspicion when a camera comes out. I view it as a thing to fear.
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We ended up realizing that's not an economical way to create creatures, putting people in green leotards and figuring it out later. You can maybe do that if you're making 'Avatar,' but we need to know what the creatures look like before we turn on the camera.
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In the '50s, I was traveling alone all over Mindanao, Basilan, all the way to Tawi-Tawi with just a camera and a notebook. I always stayed in the houses of Moros.
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The world just does not fit conveniently into the format of a 35mm camera.
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I also know what looks good before the camera, how to move the camera, and how to get a story on the screen.
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Twenty-four hour news delivers people who stand and talk to camera rather than deliver reported packages with their own camera crew where it's happening.
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If you have a block of ballistics gelatin and a high-speed camera, pretty soon somebody gets a gun!
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I'm an actor, and I like having attention, I guess. There's a reason I like being on stage. There's a reason I like being in front of a camera. It's that interaction.
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I even agree with the new digital ways of filmmaking, where you don't even have physical film in the camera, but to be honest, I wouldn't want to use it.
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The camera cannot lie, but it can be an accessory to untruth.
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If you're filming somebody doing something they really want to do, you're probably not very high on their list of problems to deal with. You see James Carville on the phone - he's like that whether you have a camera or not. He isn't doing it just for you, and that's hard to explain.
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The stage and working in front of a camera are two completely different mediums. Each requires different techniques.
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The actress they'd hired had refused to appear naked in front of the camera. I didn't like to appear naked either, but the first thing I did was take off my clothes and jump into the pool completely naked.
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She said the man in the gabardine suit was a spy I said 'Be careful his bowtie is really a camera'
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When I walked in to read with Edie Falco, it was nice, because I auditioned in New York, and it was very quick. You walk in, there's Edie, the producers, the director, and a camera. I read three scenes, and it was done.
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As an actor, the first thing you're taught is, 'Don't look into the camera; ignore it.'
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I didn't used to do shows, because I used to be so shy. We'd perform, and I'd be at the back, thinking of another song. I was so shy, I ain't never getting in front of the camera; I would never get on stage.
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My first modeling job was Gap, and my first time in front of the camera was for a Soda Pop Girls commercial - it's one of those Bratz dolls, Barbie dolls... one of those.
