Camera Quotes
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Trying to get over to the 'on camera' side of things has been hard work.
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Every time I step in front of a camera I feel young again. I really do. It keeps your mind active and it keeps you going.
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The 35mm camera is for life and for people, the swift and intense moments of life.
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I have a really dry sense of humor. I don't think it's funny when people wink at the camera. That's more of an actor thing, just committing to whatever the thing is.
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Just as a fisherman cannot catch fish unless his line is in the water, a wildlife photographer cannot shoot great wildlife images unless he or she is out there with camera in hand and the knowledge of what to do then the 'magnificent moment' occurs.
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I've always been involved with all aspects of my careers. Being behind the camera seems as natural as in front.
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Physically, looking through a giant ground glass and seeing how the world looks is amazing. When composing a shot, I see a combination of the real facts of my subject and the camera's transformation of their image at the same time.
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The camera is, in a sense, both a way to get close, and to break free. It is a testimony to independence as well as a new way to relate to the world.
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There is a very particular feeling I get when I have the camera in my hand, looking at an actor talk, knowing that what I’m shooting will end up on the screen.
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I play myself all the time, on camera and off. What else can I do?
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Photography is inextricably linked with life; the photographer is not invisibly behind the camera but projecting a life-attitude through the lens to create an interference pattern with the image. Who he is, what he believes, not only becomes important to know intellectually, but also becomes revealed emotionally and visibly through a body of work.
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I really trust the authenticity of real people and my job is to get them to be themselves in front of the camera. Often what happens is, you'll get a newcomer in front of the camera and they'll freeze up or they imitate actors or other performances that they've admired and so they stop becoming themselves. And so my job as the director is just to always return them to what I first saw in them, which was simply an uncensored human being.
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The camera cannot, but the photographer can.
