Photography Quotes
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'T.V. has made going to the theatre seem pointless, photography has pretty much killed painting but graffiti has remained gloriously unspoilt by progress.'
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I really wanted to be a model when I was little. I loved photography, and I loved being on camera. But I was short and chubby, so I couldn't. Anyway, being an artist is way more interesting than just being a model because it's about you and what you want to be. You're not being treated like a clothes hanger.
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In my photography, I always lean towards the underprivileged because that's where I came from. When I went to the wars, I attempted to go and stand by those who were being trodden on. By that, I mean people like the Palestinians. When I go to India, I see really the poorest people, and I tend to be drawn to them.
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I take a lot of pride in my photography.
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Photography was a way for me to freeze time and to capture the moments that were happy and healthy. I saw a photo as a way to go back to a memory if I ever needed to.
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Art is what we call...the thing an artist does. It's not the medium or the oil or the price or whether it hangs on a wall or you eat it. What matters, what makes it art, is that the person who made it overcame the resistance, ignored the voice of doubt and made something worth making. Something risky. Something human. Art is not in the ...eye of the beholder. It's in the soul of the artist.
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Life is like photography. You need the negatives to develop.
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My interest in architecture has always been sculptural. Most of my photography is of architecture.
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I found that photography was a great way of relaxing on the set.
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Photography is an adventure just as life is an adventure. If man wishes to express himself photographically, he must understand, surely to a certain extent, his relationship to life.
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Madonna is her own Hollywood studio - a popelike mogul and divine superstar in one. She has a laserlike instinct for publicity, aided by her visual genius for still photography (which none of her legion of imitators has). Unfortunately, her public life has dissolved into a series of staged photo ops.
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I was not getting work, even after auditioning for films. So I started working in a studio as a photographer; I assisted a cinematographer for two ads. I was thinking that I will get into photography or cinematography or assist someone. But then the 'Dangal' offer came, and I was busy with the auditions.
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I don't know how to say easily what I learned. One thing I can say I learned is how amazing photography could be.
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I've always thought photography is not so much of an art form but a way of communicating and passing on information.
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There are those photographers who have made a whole career doing commercial work but have never had a museum show, and then there are others who've only had museum shows but couldn't survive for five seconds in the real world of photography. But I've done absolutely everything.
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I had luck, but I worked hard and I suffered. It's not just photography I'm talking about. It's about whatever dream you want it to be.
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To me, the magic of photography, per se, is that you can capture an instant of a second that couldn't exist before and couldn't exist after. It's almost like a cowboy that draws his gun. You draw a second before or after, you miss and you're dead - not them. To me, photography's always like that.
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Photography is a brief complicity between foresight and luck.
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I'm constantly working on these edges of photography, either to employ so much information or reduce information to the point of collapse.
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I'm not particularly invested in, nor do I really care about, photography in a general sense. It's a medium that's relatively ubiquitous, readily accessible, and that I have some facility with, so it makes sense for me to use it.
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How the visual world appears is important to me. I'm always aware of the light. I'm always aware of what I would call the 'deep composition.' Photography in the field is a process of creation, of thought and technique. But ultimately, it's an act of imaginatively seeing from within yourself.
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The lions taught me photography. They taught me patience and the sense of beauty, a beauty that penetrates you.
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Everything always looked better in black and white. Everything always looked as if it were the first time; there's always more people in a black and white photograph. It just makes it seem that there were more people at a gig, more people at a football match, than with colour photography. Everything looks more exciting.
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I never read about photography.
