Camille Paglia Quotes
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Women played no part in Athenian high culture. They could not vote, attend the theatre, or walk in the stoa talking philosophy. But the male orientation of Greek culture was inseparable of its genius. Athens became great not despite but because of its misogyny.
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I have lesbian impulses, so I understand how a man looks at a woman. … When I was growing up, it wasn't possible for me to do anything about my attraction to women. Lesbianism didn't exist in that time, as far as I knew.
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Feminism is dead. The movement is absolutely dead. The women's movement tried to suppress dissident voices for way too long. There's no room for dissent.
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I want to promote the introduction of art history in primary schools and to convince the general public that, even in a period of economic crisis, arts funding is an absolute necessity at the federal, state, and local levels.
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Television is actually closer to reality than anything in books. The madness of TV is the madness of human life.
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There is no female Mozart because there is no female Jack the Ripper.
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Charisma is the radiance produced by the interaction of male and female elements in a gifted personality. The charismatic woman has a masculine force and severity. The charismatic man has an entrancing female beauty. Both are hot and cold, glowing with presexual self-love.
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Heaven help the American-born boy with a talent for ballet.
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Ever since Romanticism, an oppositional mode, artists have the right, and indeed the duty, to attack social convention. But it is ridiculous and in fact self-infantilizing for them to expect to be financially supported by the general public whom they are insulting.
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Pursuit and seduction are the essence of sexuality. It's part of the sizzle.
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Every man must define his identity against his mother. If he does not, he just falls back into her and is swallowed up.
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Madonna is her own Hollywood studio - a popelike mogul and divine superstar in one. She has a laserlike instinct for publicity, aided by her visual genius for still photography (which none of her legion of imitators has). Unfortunately, her public life has dissolved into a series of staged photo ops.
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The mystique of the femme fatale cannot be perfectly translated into male terms.
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Christianity began as a religion of the poor and dispossessed - farmers, fishermen, Bedouin shepherds. There's a great lure to that kind of simplicity and rigor - the discipline, the call to action.
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Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
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Leaving sex to the feminists is like letting your dog vacation at the taxidermist.
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The followers of Derrida are pathetic, snuffling in French pockets for bits of pieces of a deconstructive method already massively and coherently presented – and with a mature sense of the sacred – in Buddhism and Hinduism.
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In an era ruled by materialism and unstable geopolitics, art must be restored to the center of public education.
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Men are run ragged by female sexuality all their lives. From the beginning of his life to the end, no man ever fully commands any woman. It's an illusion. Men are pussy-whipped. And they know it. That's what the strip clubs are about; not woman as victim, not woman as slave, but woman as goddess.
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Lately, I've been doing a lot of tuning in and impatiently tuning out. As a longtime fan of talk radio, I don't think this bodes well for the long-term broad appeal of the medium.
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High Romanticism shows you nature in all its harsh and lovely metamorphoses. Flood, fire and quake fling us back to the primal struggle for survival and reveal our gross dependency on mammoth, still mysterious forces.
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I am a very reclusive, private person.
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Any woman who stays with her abuser beyond the first incident is complicitous with him.
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I guess I'm just a natural warrior.