Camera Quotes
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There’s no shooting with the law of probabilities, otherwise you should just be a filmmaker and just point the camera and trigger. That’s called making film. If you’re a photographer, it’s about waiting for those decisive and clear moments.
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I remember when someone told me phones were going to have cameras on them, and I thought that was the dumbest idea I'd ever heard. Why would you want a camera on your phone? But as we see the impact of it, it has allowed for a mass verification of what black people have been saying.
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I think at this point, I'd eventually like to work behind the camera. That's not to say I would never act again, I'm not quite sure to be honest.
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Light-field photography is a transformational technology that needs a transformational product to introduce it. For the first time, we have a light-field camera that's going to be for everyone - not something in a huge room in a research facility.
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For women and men, but especially women, with on camera acting you have to look a certain way. You have to present yourself as the most attractive version of yourself that you can be, and then you're judged based on how attractive you are or if you are the right look for the character.
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You can be in an acting class all you want, but you don't fully learn until you get off that stage and in front of a camera.
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My main camera is a Nikon D3. I use a French camera from the 1800s for wet plate photography, I use a Hasselblad sometimes. But to me the camera really doesn't matter that much. I don't have a preference for film or digital.
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Men cannot act before the camera in the presence of death.
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The IMAX cameras are big and heavy. And they're loud. So you have to be mindful of whether or not they're worth it; I'd say the image quality is incredible and the scale is amazing.
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The photograph is not only a pictorial report; it is also a psychological report. It represents the feelings and point of view of the intelligence behind the camera.
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I believe your thoughts are your thoughts, but are you a human being in front of the camera, or an actor? They are two different things.
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It's not like I'm nervous of people seeing what I can or can't do on camera or on TV or anything, or what my engineers think.
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Reality has come to seem more and more like what we are shown by cameras.
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You don't make a photograph just with a camera. You bring to the act of photography all the pictures you have seen, the books you have read, the music you have heard, the people you have loved.
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As a teenager, I loved acting, painting, photography, and making films with my friend's Super 8 camera. But I always loved writing the best. I chose writing even before I knew poetry was available to me.
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Sometimes you meet someone, and they seem great, they seem exactly what you're thinking of for the role, and then you put a camera on them, and they freeze. And other people come to life with the camera on them. I haven't discovered any reliable predictor for that; I think you just have to try it and see what happens. And, you know, sometimes the people who freeze, if you find the right magic word to say to them, you can unlock them.
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My mom had a huge video camera that I would always play with, and there is home video of me, like, with the camera letting her know, 'I want to do stuff like this when I grow up.'
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The camera for an artist is just another tool. It is no more mechanical than a violin if you analyze it. Beyond the rudiments, it is up to the artist to create art, not the camera.
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The camera is an extension of yourself... Your story treatment may be subjective, but it is important to remain objective as to truth.
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I never, ever went out without my camera, even to buy bread.
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I chose to be a photographer twenty-two years ago, but I don't know that I'd make that choice again. Back in the early eighties, I still thought I was doing okay, trying to order and shape the world with my camera. Now that I know a bit more about living and dying, about our planet and its complex problems, I'm a lot less comfortable with my images of people. Still, I haven't a clue what else to do.
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It never occurred to me that I was going to have to talk to a camera. I don't know if I can do this.
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The general killed the Viet Cong; I killed the general with my camera.
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I always had the feeling that something was going to happen in front of me, and when it did I wanted my camera to be there.
