Camera Quotes
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The candid camera is the greatest liar in the photographic family.... It is anarchic, naive, and superficial.
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The camera lies all the time -- lies 24 times/second.
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I believe your thoughts are your thoughts, but are you a human being in front of the camera, or an actor? They are two different things.
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There's always going to be that pressure when you're in front of the camera. When you're famous it's just an extreme version of reality and there's a pressure to look a certain way.
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She claimed she loved the camera, its warmth, its familiarity. She responded to its naked glare, its slavish attention to every expression of her face and body, with the kind of immediacy a trusted lover could expect.
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The camera for an artist is just another tool. It is no more mechanical than a violin if you analyze it. Beyond the rudiments, it is up to the artist to create art, not the camera.
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With voice overs... you're not thinking about the camera. So your voice becomes this thing that you can manipulate. And depending on the character you're doing, it's all concentration on your voice.
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On my show you always take the far camera. I get the front one. Remember that.
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Push your level of understanding so that you know your camera so well that you can frame within a fraction of an inch of the edge of the border, truly compose it how you want it and shoot it.
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For women and men, but especially women, with on camera acting you have to look a certain way. You have to present yourself as the most attractive version of yourself that you can be, and then you're judged based on how attractive you are or if you are the right look for the character.
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Light-field photography is a transformational technology that needs a transformational product to introduce it. For the first time, we have a light-field camera that's going to be for everyone - not something in a huge room in a research facility.
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Why should not the camera artist break away from the worn out conventions... and claim the freedom of expression which any art must have to be alive
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Pictures are much harder to do than the theater... You're at the mercy of the camera angles and the piecemeal technique.
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In Virginia Woolf I had a thing which the grips called the paraplegic which was a wheelchair thing that I had made up years before where I could stand on this bicycle-like device and be pushed down the hall, and then step off it with a handheld camera.
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Only the camera seems to be really capable of describing modern life.
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I chose to be a photographer twenty-two years ago, but I don't know that I'd make that choice again. Back in the early eighties, I still thought I was doing okay, trying to order and shape the world with my camera. Now that I know a bit more about living and dying, about our planet and its complex problems, I'm a lot less comfortable with my images of people. Still, I haven't a clue what else to do.
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Suddenly this camera, this thing, allowed me to move around the world in a certain kind of way, with a certain kind of purpose. (On receiving a camera for her twenty-first birthday)
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Realism and superrealism are what I'm after. This world is full of things the eye doesn't see. The camera can see more, and often 10 times better.
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You can be in an acting class all you want, but you don't fully learn until you get off that stage and in front of a camera.
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The IMAX cameras are big and heavy. And they're loud. So you have to be mindful of whether or not they're worth it; I'd say the image quality is incredible and the scale is amazing.
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I think at this point, I'd eventually like to work behind the camera. That's not to say I would never act again, I'm not quite sure to be honest.
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I consciously did away with fade-ins and replaced them with the cut. Henceforth, I never used such editing techniques again. In fact, neither dissolve, fade-in nor fade-out can be regarded as 'the grammar of film,' they are no more than characteristics of the camera.
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The more you work in this business as a comedian, the closer you get to just being yourself onstage, on camera, the more well received you are.
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The single most important component of a camera is the twelve inches behind it!
