Camera Quotes
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I also know what looks good before the camera, how to move the camera, and how to get a story on the screen.
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My stepfather gave me a Kodak camera when I was 17 years old. I started working at a local photo store in Le Havre, France, taking passport pictures and photographing weddings.
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The first light-field camera array I saw at Stanford had a bunch of applications, like to do special effects like you see in 'The Matrix,' where you spin the camera around in frozen motion. It took up an entire room.
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One of the advantages of this found footage format is that you can have deliberately badly composed frames. Here we can put a camera in the weirdest angle and it kind of throws you off. You never know what you are supposed to be paying attention to. It's deliberate chaos.
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My first modeling job was Gap, and my first time in front of the camera was for a Soda Pop Girls commercial - it's one of those Bratz dolls, Barbie dolls... one of those.
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I've always been more of a camera hog than anything, and it's just another way to get it all out!
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The actress they'd hired had refused to appear naked in front of the camera. I didn't like to appear naked either, but the first thing I did was take off my clothes and jump into the pool completely naked.
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The camera cannot lie, but it can be an accessory to untruth.
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I was born naked. I'm a natural. I'm a natural nude. So I've been on camera naked a lot.
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If someone put a camera in my face now, when I am in student mode, I would get embarrassed, but when I am modelling, I play characters.
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The cast of 'Lemonade Mouth' was picked so perfectly. A lot of people see us as a band on camera, but not a lot of people know that Lemonade Mouth was a band off-camera, too.
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I always direct next to the camera and watch my actors, and so you can see the small things that you can't see on the small screen but you can definitely see on the big screen.
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When I first started in film, I was terrified of the camera.
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It's usually so fraught when you're taking a picture. I work with an 8-by-10 view camera and there's a, you know, hood that I put over my head, and it's tricky and complicated.
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You think the only thing looking at you is this steel thing, but behind the camera is this living, breathing person operating the camera whose job it is to watch you.
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As a little girl, I was always shy, but in front of the camera I wasn't.
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I'm working on bringing the instant film camera back as part of the future.
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I treat the camera like a person - I gaze into it. Photos are a flat thing, and you need to put life into them.
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I've always been interested in the camera and the effects of it - that's what drew me to film in the first place.
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I have always been a very keen walker, though, and I often took a camera with me on my walks.
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I may even show up behind the camera. I love to put things together; I love to give direction. I have a great eye for pace.
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Sometimes you're not always on or at your best, especially during auditions. So if you go in and you don't nail it, even if they're like, 'We don't need to see you again,' get a friend, get a video camera, and film you doing the stuff again.
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As a model, I am at the mercy of everybody else. It's much more of a situation where I go to work, put the clothes on, get in front of the camera, and then go home. But in that process, I never really have control over any of it.
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The camera can film my face but until it captures my soul, you don't have a movie.
