Camera Quotes
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I didn't used to do shows, because I used to be so shy. We'd perform, and I'd be at the back, thinking of another song. I was so shy, I ain't never getting in front of the camera; I would never get on stage.
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The world just does not fit conveniently into the format of a 35mm camera.
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The first light-field camera array I saw at Stanford had a bunch of applications, like to do special effects like you see in 'The Matrix,' where you spin the camera around in frozen motion. It took up an entire room.
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My first modeling job was Gap, and my first time in front of the camera was for a Soda Pop Girls commercial - it's one of those Bratz dolls, Barbie dolls... one of those.
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My stepfather gave me a Kodak camera when I was 17 years old. I started working at a local photo store in Le Havre, France, taking passport pictures and photographing weddings.
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The cast of 'Lemonade Mouth' was picked so perfectly. A lot of people see us as a band on camera, but not a lot of people know that Lemonade Mouth was a band off-camera, too.
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When I first started in film, I was terrified of the camera.
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The camera cannot lie, but it can be an accessory to untruth.
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The actress they'd hired had refused to appear naked in front of the camera. I didn't like to appear naked either, but the first thing I did was take off my clothes and jump into the pool completely naked.
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If someone put a camera in my face now, when I am in student mode, I would get embarrassed, but when I am modelling, I play characters.
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I also know what looks good before the camera, how to move the camera, and how to get a story on the screen.
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I was born naked. I'm a natural. I'm a natural nude. So I've been on camera naked a lot.
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I always direct next to the camera and watch my actors, and so you can see the small things that you can't see on the small screen but you can definitely see on the big screen.
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I may even show up behind the camera. I love to put things together; I love to give direction. I have a great eye for pace.
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I'm working on bringing the instant film camera back as part of the future.
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You think the only thing looking at you is this steel thing, but behind the camera is this living, breathing person operating the camera whose job it is to watch you.
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It's usually so fraught when you're taking a picture. I work with an 8-by-10 view camera and there's a, you know, hood that I put over my head, and it's tricky and complicated.
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I treat the camera like a person - I gaze into it. Photos are a flat thing, and you need to put life into them.
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I've always been interested in the camera and the effects of it - that's what drew me to film in the first place.
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As a little girl, I was always shy, but in front of the camera I wasn't.
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The rise of the Internet and the camera phone have started to change what stories are accessible.
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I have always been a very keen walker, though, and I often took a camera with me on my walks.
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As a model, I am at the mercy of everybody else. It's much more of a situation where I go to work, put the clothes on, get in front of the camera, and then go home. But in that process, I never really have control over any of it.
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After defining an idea of what I want to achieve, through a series of storyboard images, I'll go to the ends of the earth to create it, whether that involves obscure camera lenses or the latest electronic techniques.
