Camera Quotes
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I didn't used to do shows, because I used to be so shy. We'd perform, and I'd be at the back, thinking of another song. I was so shy, I ain't never getting in front of the camera; I would never get on stage.
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My stepfather gave me a Kodak camera when I was 17 years old. I started working at a local photo store in Le Havre, France, taking passport pictures and photographing weddings.
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I even agree with the new digital ways of filmmaking, where you don't even have physical film in the camera, but to be honest, I wouldn't want to use it.
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In the '50s, I was traveling alone all over Mindanao, Basilan, all the way to Tawi-Tawi with just a camera and a notebook. I always stayed in the houses of Moros.
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The cast of 'Lemonade Mouth' was picked so perfectly. A lot of people see us as a band on camera, but not a lot of people know that Lemonade Mouth was a band off-camera, too.
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When I first started in film, I was terrified of the camera.
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The camera cannot lie, but it can be an accessory to untruth.
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The world just does not fit conveniently into the format of a 35mm camera.
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I may even show up behind the camera. I love to put things together; I love to give direction. I have a great eye for pace.
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If someone put a camera in my face now, when I am in student mode, I would get embarrassed, but when I am modelling, I play characters.
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I've always been interested in the camera and the effects of it - that's what drew me to film in the first place.
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I treat the camera like a person - I gaze into it. Photos are a flat thing, and you need to put life into them.
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I'm working on bringing the instant film camera back as part of the future.
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I also know what looks good before the camera, how to move the camera, and how to get a story on the screen.
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The actress they'd hired had refused to appear naked in front of the camera. I didn't like to appear naked either, but the first thing I did was take off my clothes and jump into the pool completely naked.
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I mean, if a camera's on you all the time, you don't get real moments.
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I always direct next to the camera and watch my actors, and so you can see the small things that you can't see on the small screen but you can definitely see on the big screen.
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I like being on camera, performing, seeing what people have in common.
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The rise of the Internet and the camera phone have started to change what stories are accessible.
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I've decided to recast myself as Utopian. I like this landscape of the M25 and Heathrow. I like airfreight offices and rent-a-car bureaus. I like dual carriageways. When I see a CCTV camera, I know I'm safe.
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I was born naked. I'm a natural. I'm a natural nude. So I've been on camera naked a lot.
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It's usually so fraught when you're taking a picture. I work with an 8-by-10 view camera and there's a, you know, hood that I put over my head, and it's tricky and complicated.
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As a model, I am at the mercy of everybody else. It's much more of a situation where I go to work, put the clothes on, get in front of the camera, and then go home. But in that process, I never really have control over any of it.
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I grew up loving films and making stupid movies with a good friend of mine, who now actually has a career in a really prominent special effects house, so he's still doing it. We just started messing around with a camera.
