Camera Quotes
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Look and think before opening the shutter. The heart and mind are the true lens of the camera.
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I put down the camera long ago, you know? I was here in London, aged 19, and I was obsessed with my camera, shooting everything I could. Then someone stole it. It helped me to see things for the first time.
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The problem with not having a camera is that one must trust the analysis of a reporter who's telling you what occurred in the courtroom. You have to take into consideration the filtering effect of that person's own biases.
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When I buy a Nikon camera, I have no tolerance for the instructions. I'm ready to make some mistakes using it and get some bad pictures back until I've figured it out for myself.
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I have been doing commercials on camera since I was ten.
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I came rather late to film. I've done an awful lot of theater before - before I discovered the camera, you know, seeing everything, requiring much less acting and - and much less presentation, much less projecting, more just being.
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Whereas if you have a camera in the courtroom, there's no filtering. What you see is what's there.
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I told them, 'Don't even think about the camera. It may not even be near you. Just have the party.' And then there's somebody in the middle of them shooting film.
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With the camera, it's all or nothing. You either get what you're after at once, or what you do has to be worthless. I don't think the essence of photography has the hand in it so much. The essence is done very quietly with a flash of the mind, and with a machine. I think too that photography is editing, editing after the taking. After knowing what to take, you have to do the editing.
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You can be, like, a totally different person on camera, and it's fun. You can take on another character, and it's awesome.
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The second I walk onto the set and I know that there's a camera and I know that there's a David Twohy behind that camera, there is zero pressure. There is just me jumping into a pool called 'Riddick.' It's the most free I am. It's like channeling something.
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Hitchcock makes it very clear to us. There's an objective and a subjective camera, like there's a third- and a first-person narrator in literature.
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I can zero in on subtle things because I'm holding the camera.
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Yeah, I kind of grew up in front of the camera: I started modeling when I was two.
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I don't really know how to work a camera.
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With all its technical sophistication, the photographic camera remains a coarse device compared to the human hand and brain.
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I checked myself out in that funeral parlour scene. I saw myself laughing, because there was a shot of Ed and I together and Mary was right in back of us. My head turned from the camera and I saw myself laughing, because Mary was absolutely brilliant in that thing.
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What's so amazing about 'All in the Family' is sometimes an entire act was one camera shot. It was all about characters.
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I've always been intimidated by the technicalities of taking photos, especially with a film camera - not just a point and shoot.
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I was probably five when I first picked up a camera. My mom had an Olympus OM-10 that she carried around to document our family photos. And I just always loved it.
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The dynamic range of a digital camera is not that much greater than film, particularly if you push the ASA a little bit.
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My parents used to talk about Sergio Leone films a lot. And I got really into them. I love Clint Eastwood. I love the camera angles. I love the music.
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If you already own high-quality lenses from a film SLR, you may be able to use them in a digital camera of the same brand, get high-quality pictures, and also save yourself some money in buying the camera.
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That was one of the amazing things about Doctor Who. Considering it is such an enormous charabanc, a centerpiece of international TV, it feels incredibly small when you are actually involved in it. It is very intimate, very small; it feels like a few people messing about with a camera.
