Camera Quotes
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I didn't really understand what you did when you went in front of the camera. And then suddenly I just understood it. When you're in a play, you carry the story, but you don't have to do that in film.
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I told them, 'Don't even think about the camera. It may not even be near you. Just have the party.' And then there's somebody in the middle of them shooting film.
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You play a part, and as soon as a movie is over and the camera stops, you go home and you're not really responsible for what you've done.
Nastassja Kinski -
Unlike others who have been caught swearing on camera, I apologised immediately. And yet I am the only person banned for swearing. That doesn't seem right.
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I came rather late to film. I've done an awful lot of theater before - before I discovered the camera, you know, seeing everything, requiring much less acting and - and much less presentation, much less projecting, more just being.
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The problem with not having a camera is that one must trust the analysis of a reporter who's telling you what occurred in the courtroom. You have to take into consideration the filtering effect of that person's own biases.
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When I buy a Nikon camera, I have no tolerance for the instructions. I'm ready to make some mistakes using it and get some bad pictures back until I've figured it out for myself.
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I have been doing commercials on camera since I was ten.
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I can zero in on subtle things because I'm holding the camera.
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Whereas if you have a camera in the courtroom, there's no filtering. What you see is what's there.
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The second I walk onto the set and I know that there's a camera and I know that there's a David Twohy behind that camera, there is zero pressure. There is just me jumping into a pool called 'Riddick.' It's the most free I am. It's like channeling something.
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Hitchcock makes it very clear to us. There's an objective and a subjective camera, like there's a third- and a first-person narrator in literature.
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Yeah, I kind of grew up in front of the camera: I started modeling when I was two.
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With the camera, it's all or nothing. You either get what you're after at once, or what you do has to be worthless. I don't think the essence of photography has the hand in it so much. The essence is done very quietly with a flash of the mind, and with a machine. I think too that photography is editing, editing after the taking. After knowing what to take, you have to do the editing.
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What's so amazing about 'All in the Family' is sometimes an entire act was one camera shot. It was all about characters.
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I don't really know how to work a camera.
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I think I may just enjoy being behind the camera as much as I like being in front of it.
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With all its technical sophistication, the photographic camera remains a coarse device compared to the human hand and brain.
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The dynamic range of a digital camera is not that much greater than film, particularly if you push the ASA a little bit.
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I checked myself out in that funeral parlour scene. I saw myself laughing, because there was a shot of Ed and I together and Mary was right in back of us. My head turned from the camera and I saw myself laughing, because Mary was absolutely brilliant in that thing.
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I've always been intimidated by the technicalities of taking photos, especially with a film camera - not just a point and shoot.
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I was probably five when I first picked up a camera. My mom had an Olympus OM-10 that she carried around to document our family photos. And I just always loved it.
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The camera gave me an incredible freedom. It gave me the ability to parade through the world and look at people and things very, very closely.
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As I have practiced it, photography produces pleasure by simplicity. I see something special and show it to the camera. A picture is produced. The moment is held until someone sees it. Then it is theirs.
