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Great music is its own movie, already. And the challenge, as a music fan, is to keep the song as powerful as it wants to be, to not tamper with it and to somehow give it a home.
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I have my problems with 'Singles'. To me, 'Singles' is the least successful of the movies I've been lucky enough to make.
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Music is like the other person in this film and it's really important for Orlando's character. It leads him on his journey and is with him on his road trip.
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It used to be, like, the sanctity of rock was that you could never let a song of yours be used in a commercial. It was like, 'Oh man, we'll never let our music be exploited that way.' Now they'll call you up and say, 'You gotta use this song in your movie, man. It's the new VW ad! People love it.' And you realize, boy, have times changed.
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I felt his presence every day, beginning with the first day.
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TORONTO -- When Cameron Crowe was flying to the Toronto film festival recently, he walked down the aisle of the plane and studied his fellow passengers sitting in front of their personal TV sets. They were just having the greatest time, there was so much joy in their eyes, .. And I looked to see what they were watching. And it was all out-and-out comedies. So many people watching The Longest Yard. And I just got the feeling that, 'You know what? People just like to let it all go, and have a laugh'.
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I wanted to make a comment on the obsession with success and failure that we see a lot in America.
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Time puts things in proper perspective.
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Be positive, be positive. It's rough out there, but don't succumb. Don't succumb to the cynicism in the world.
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The personal stuff for me is the best, ... And this one felt a little raw emotionally. I wanted to capture some stuff, to see if I could get it right. The way it feels to lose a loved one and find a reason to celebrate, oddly enough, as a result of learning who you are.
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I'm proudest of the fact that I've been able to make a few movies in the studio system that are slightly unorthodox and personal. But it's never quite as easy as you dream that it could be.
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I love actors.
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The thing was always, as every story you write has a built-in problem, was: Was it too personal. That was the thing I wondered about for a long time. Oddly enough, it's often the personal stuff that people come up to you later and say about it, 'I can't believe you put that in a movie. That happened to me.' And sometimes, the thing that you make up happened to no one.
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People are going to go where they get characters that they remember.
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Every passing minute is another chance to turn it all around.
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And I liked that whole idea that energy comes from not disseminating your ideas and talking about them.
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Hey, I don't have all the answers. In life, to be honest, I've failed as much as I've succeeded. But I love my wife. I love my life. And I wish you, my kind of successes.
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I always thought I'd write about my dad, at some point, ... I didn't think it would be like this, but it arrived like this. I'd been listening to a lot of Garrison Keillor at the time. I love that simple story that ends on a grace note and you go, 'Wow, I'm just happy to be alive right now.' That was the feeling I was chasing.
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It's more like can I build a group of characters and can I tell some universal truths that feel real and aren't formulaic in the spirit of filmmakers gone by who've told American stories that were personal and universal as well.
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Stars arrive on their own timetable.
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I miss Kentucky, I miss the sound of the cicadas, and I want to come back from time to time.
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This is a personal movie that I knew I had to come here to make,
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I'm always writing. A friend of mine once said, 'You avoid re-writing by writing.' Which is kind of a good point, because re-writing seems to be mostly about craft, and writing is just, like, getting out your passion on a piece of paper.
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I think there's always satisfaction that comes from digging in and telling a story and being on the front line and writing about it. I think there's a venue available if you look. Even print journalism is in good shape in areas.