Cameron Crowe Quotes
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Wilder would say, 'Ninety minutes for this picture is all my bum can take in a seat',
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Well it kind of is project to project because as a writer I think you always write to some degree about things that you know or things that happened - but my favourite filmmakers, my favourite movies of theirs tend to be the personal movies.
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The battered idealist. It's just my favorite character ... To me, a hero is somebody who is able to accept the environment of the world, deal with the stuff that's thrown in their path ... and somehow keep their heart.
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Claire literally saves his life. And to me there's no better story to tell than how someone can process a knock. A hero is someone who turns their disappointment into a greater opportunity. This woman helps him on the path.
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I have a desire to work with some actors I really like, so I hope to get out there soon and be back at it - maybe a little less music in the next one.
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If you try to write something that's memorable, you'll never get it. Sometimes it's the way the actor says the words that make it memorable.
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Mostly it was about the success of the shoe: Does the shoe come back? I had to look at it without that scene,
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When you listen to the music, you can also see the film or read the article, and it's all part of the same journey that you get to take with the artist you're interested in. It's a balancing act.
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Conception of a film starts with the music. Always. I hear the movie before I can ever write it. I would say that 80% of the time, that's the successful stuff. It's the other stuff I have to work for to get right, and sometimes it doesn't work out, but the music is always the beginning. So I'm still a music journalist.
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Hopefully I've done it, not in a pretentious way, but just as a cinematic mix,
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She loves Susan Sarandon and I know my dad (would have loved) being married to Susan Sarandon, ... Susan said she learned more about how to play the part from talking to my mom than to me.
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It's not a movie about, 'My dad and I, we hated each other and then we came to know that we loved each other.' No. I loved my dad. He was a great guy. I just didn't know him as an adult.
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The power of music is still with me, every day. It's one of the most inspiring things available in the world. I write with music. I write scenes in movies that hopefully can earn the use of some songs that are powerful to me. But, I think it just came from being affected by strong, personal art.
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The powering thing behind the movie was to capture the feeling of being alone and going back to Kentucky and getting walloped by a sense of family I hadn't realized was so much in place,
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I liked the idea of fiasco as failure gone to church, ... How does that become a transcendent thing? And that morphed into the different mini-themes.
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I've done some of the same things that Orlando does in the movie, for sure,
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I wanted it to feel like a short story, but it's a long short story,
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People always complain that movies are all the same and that ticket buyers are voting and saying, 'No more,'
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I liked the idea of starting the movie with the ending and ending it with the beginning, ... I feel that by the end Drew is ready to begin again.
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The question is where do we go from here? The answer is -- life.
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If you were on a desert island and you could only bring along five records from the past five years, what records would you bring?
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I married a musician, music is everywhere I turn, thankfully. Yeah, a lot of times the ideas for a movie, or even the way I cast a movie, comes from driving around in my car and listening to tapes and thinking, 'Kate Hudson floating on a Joni Mitchell song.' That's a good scene.
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And yeah, she would put 'Pride' on it. You do go for some obvious stuff when you make a mix tape because it reinvents itself.
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I have heard your words and your disappointment, and I offer you a heart-felt apology to all who felt this was an odd or misguided casting choice.