Cameron Crowe Quotes
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nobody gets a free ride. And nobody should get a free ride.
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It felt like a faraway place that was still home,
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So many of us are hungry for stories with more racial diversity, more truth in representation, and I am anxious to help tell those stories in the future.
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People dance and we have a lot of music and... this might be the closet I get for a while.
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I mean, Internet radio, which is basically a guy with his iTunes putting it over the computer, is the only way you're going to get true eclectic music programmed.
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I love telling stories about people that don't normally get written about. It's a different kind of life here. This is a movie from the heart, and it's a little different from the normal movies you'll see.
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I write with music. I write scenes in movies that hopefully can earn the use of some songs that are powerful to me.
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Orlando was the first guy I thought of because we'd done a commercial together and I just liked him -- every take was different.
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I remember loving that album, ... Frampton took me into the studio and played me that album and I thought it was the greatest party album that I'd heard in a long time, and so I wrote the liner notes and the album became huge.
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Life sends you angels sometimes when you're in need and, in my theory, it's usually never the people you expect to be there. They are often gone the people that appear with a piece of advice or something they want to give to you to help you through are generally surprising people and I wanted Kirsten's character to be that.
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Well all kinds of movies that you wouldn't expect that I'd want to do, both bigger scale and smaller scale than the ones I've done.
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I used to see a lot of cocaine. There were journalists who used cocaine and didn't write about it and I didn't write about it. I would never do drugs, so I would always get the same response from people: "Smart kid, more for me." Whether it was a joke or sincere or both, but I was just happy not to be in there partying with the band like some of these other journalists.
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I do, I do!. There were songs like Ryan Adams' song 'Come Pick Me Up' that was sort of part of the writing. The Patty Griffin song 'Long Ride Home' you just try and earn with your script. Most great songs are their own movie without your help. So you just try to earn them really.
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Many people don't have an outlet for their feelings or how they can express life and not everybody in a relationship is the kind of person who wants to. But if you can write, you can find a good way to do it.
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'Elizabethtown' was a movie made for all the right reasons, and people who connect with the movie really connect to it. It's not the biggest group of people ever, but I still really believe in 'Elizabethtown.' It wasn't, like, a savage blow.
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You just never know if people out there will relate to things when you write them; it matters to you, and to some people it doesn't. Some people are 'I'm not in the mood for that; thanks.'
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I always wanted to tell the story of how Pearl Jam is the story of lightning striking twice. As well as being the flipside of the classic rock tale where great promise ends in tragedy. This is where tragedy begins great promise.
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Tom and I have a similar sensibility and experience. You know his dad was from Kentucky where I set the film, and so was mine. That's where he died. His mom's really important in his life and so is mine,
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I always loved movies, but I never thought I would presume to be a screenwriter and definitely not a director.
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I knew 'Almost Famous' wasn't playing in theaters at that long length. And really, it wasn't one of those terrible squabbles that you read about, where people want to change their name or anything. Our toughest discussion was, did Kate Hudson dance too long? It wasn't that big of a deal.
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I just think if you play it, it seeps in, it seeps into the performances, it seeps into the atmosphere of the movie. And a lot of times I used the music ... while they were doing the scene.
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Take it from your own life, write what you believe in.
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The entire story of 'Elizabethtown' arrived quickly, ... a tale of love and loss and the discovery of family roots in the aftermath of a very black turn of events in the life of a young shoe designer, Orlando Bloom. It was a story that would start with an ending and end with a beginning and, I hoped, give a sense of what it was to be truly alive.
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RRC remains the best publication to hit my mailbox