Camera Quotes
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As a model, I am at the mercy of everybody else. It's much more of a situation where I go to work, put the clothes on, get in front of the camera, and then go home. But in that process, I never really have control over any of it.
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The rise of the Internet and the camera phone have started to change what stories are accessible.
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I've decided to recast myself as Utopian. I like this landscape of the M25 and Heathrow. I like airfreight offices and rent-a-car bureaus. I like dual carriageways. When I see a CCTV camera, I know I'm safe.
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The camera never lies, man. I've learned that. If you allow it, it will see right through you, which is kind of cool.
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My heroes are the camera crew and the electricians. They work such long hours.
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What you think is fake in your head comes off as not enough on camera, a lot of times. You almost have to overdo it, in this overly, sort of Broadway, large-gestures kind of way to come off as being realistic on camera. It's strange. You almost have to act really fake to come off looking real.
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He [Andy warhol] went out every evening to five or six parties with a tape recorder in one pocket and a camera with extra film and batteries in the other pocket, constantly recording and photographing everyone he came across.
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For me, the camera is like an entrance to the private lives of other people. And if you are curious like me, it is a fantastic tool.
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In social situations, when I'm surrounded by people, I become very shy. But if there's a camera in front of me, I feel free.
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The camera and I have always had good chemistry.
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My mom hates being on camera. My dad loves it - he eats it up!
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I have always stood in awe of the camera. I recognize it for the instrument it is, part Stradivarius, part scalpel.
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After defining an idea of what I want to achieve, through a series of storyboard images, I'll go to the ends of the earth to create it, whether that involves obscure camera lenses or the latest electronic techniques.
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I grew up loving films and making stupid movies with a good friend of mine, who now actually has a career in a really prominent special effects house, so he's still doing it. We just started messing around with a camera.
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I mean, if a camera's on you all the time, you don't get real moments.
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With Altman, he does discuss everything with you, but then leaves you to it and gives you full rein and lets you improvise and create a character while the camera is rolling.
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You've got to love acting and that's true for me. I love the idea of getting on stage and getting in front of a camera.
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Once you get into your stride, the camera becomes like another person in the room. It's like being in a very small theatre where there is no getting away with anything because the audience is centimetres away from you.
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3D is not a fire and forget tool. It takes a lot of very careful consideration and it will change your approach to where you put the camera so 3D isn't for everybody.
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I actually wanted to first direct and produce, but then I got this very cool opportunity to be in front of the camera once.
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Fortunately, I've never been very conscious and inhibited of what I have to do. The camera's my soul mate.
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A style is not a matter of camera angles or fancy footwork, it's an expression, an accurate expression of your particular opinion.
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I've wanted to do some sort of acting stuff down the line, but modeling is a good way to get comfortable in front of the camera.
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When I was a kid, I would make kung fu movies with the kids in the neighborhood, and I would be the guy behind the camera directing everybody, but they were all very silly little shorts and comedy bits.
