Camera Quotes
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I mean, if a camera's on you all the time, you don't get real moments.
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Sometimes you're not always on or at your best, especially during auditions. So if you go in and you don't nail it, even if they're like, 'We don't need to see you again,' get a friend, get a video camera, and film you doing the stuff again.
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Once you get into your stride, the camera becomes like another person in the room. It's like being in a very small theatre where there is no getting away with anything because the audience is centimetres away from you.
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My heroes are the camera crew and the electricians. They work such long hours.
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After defining an idea of what I want to achieve, through a series of storyboard images, I'll go to the ends of the earth to create it, whether that involves obscure camera lenses or the latest electronic techniques.
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A style is not a matter of camera angles or fancy footwork, it's an expression, an accurate expression of your particular opinion.
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The camera can film my face but until it captures my soul, you don't have a movie.
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My mom hates being on camera. My dad loves it - he eats it up!
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The camera and I have always had good chemistry.
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You don't make a photograph just with a camera.
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The camera never lies, man. I've learned that. If you allow it, it will see right through you, which is kind of cool.
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You've got to love acting and that's true for me. I love the idea of getting on stage and getting in front of a camera.
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When I was a kid, I would make kung fu movies with the kids in the neighborhood, and I would be the guy behind the camera directing everybody, but they were all very silly little shorts and comedy bits.
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I've decided to recast myself as Utopian. I like this landscape of the M25 and Heathrow. I like airfreight offices and rent-a-car bureaus. I like dual carriageways. When I see a CCTV camera, I know I'm safe.
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I don't like, and I've never been very good at, close-up shots. As soon as you have the camera right there in front of you, it feels like you're in a different reality from the person you are acting with; you lose any real connection with them.
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What you think is fake in your head comes off as not enough on camera, a lot of times. You almost have to overdo it, in this overly, sort of Broadway, large-gestures kind of way to come off as being realistic on camera. It's strange. You almost have to act really fake to come off looking real.
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I actually wanted to first direct and produce, but then I got this very cool opportunity to be in front of the camera once.
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I've wanted to do some sort of acting stuff down the line, but modeling is a good way to get comfortable in front of the camera.
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For me, the camera is like an entrance to the private lives of other people. And if you are curious like me, it is a fantastic tool.
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3D is not a fire and forget tool. It takes a lot of very careful consideration and it will change your approach to where you put the camera so 3D isn't for everybody.
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I like being on camera, performing, seeing what people have in common.
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With Altman, he does discuss everything with you, but then leaves you to it and gives you full rein and lets you improvise and create a character while the camera is rolling.
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He [Andy warhol] went out every evening to five or six parties with a tape recorder in one pocket and a camera with extra film and batteries in the other pocket, constantly recording and photographing everyone he came across.
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I got five kids, and my oldest is a documentary film maker and camera man, and still photographer.
