Camera Quotes
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My heroes are the camera crew and the electricians. They work such long hours.
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Sometimes you're not always on or at your best, especially during auditions. So if you go in and you don't nail it, even if they're like, 'We don't need to see you again,' get a friend, get a video camera, and film you doing the stuff again.
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I grew up loving films and making stupid movies with a good friend of mine, who now actually has a career in a really prominent special effects house, so he's still doing it. We just started messing around with a camera.
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You don't make a photograph just with a camera.
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What you think is fake in your head comes off as not enough on camera, a lot of times. You almost have to overdo it, in this overly, sort of Broadway, large-gestures kind of way to come off as being realistic on camera. It's strange. You almost have to act really fake to come off looking real.
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The camera can film my face but until it captures my soul, you don't have a movie.
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The camera never lies, man. I've learned that. If you allow it, it will see right through you, which is kind of cool.
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Once you get into your stride, the camera becomes like another person in the room. It's like being in a very small theatre where there is no getting away with anything because the audience is centimetres away from you.
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I mean, if a camera's on you all the time, you don't get real moments.
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I've decided to recast myself as Utopian. I like this landscape of the M25 and Heathrow. I like airfreight offices and rent-a-car bureaus. I like dual carriageways. When I see a CCTV camera, I know I'm safe.
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The camera and I have always had good chemistry.
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You've got to love acting and that's true for me. I love the idea of getting on stage and getting in front of a camera.
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My mom hates being on camera. My dad loves it - he eats it up!
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He [Andy warhol] went out every evening to five or six parties with a tape recorder in one pocket and a camera with extra film and batteries in the other pocket, constantly recording and photographing everyone he came across.
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I actually wanted to first direct and produce, but then I got this very cool opportunity to be in front of the camera once.
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A style is not a matter of camera angles or fancy footwork, it's an expression, an accurate expression of your particular opinion.
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For me, the camera is like an entrance to the private lives of other people. And if you are curious like me, it is a fantastic tool.
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With Altman, he does discuss everything with you, but then leaves you to it and gives you full rein and lets you improvise and create a character while the camera is rolling.
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I've wanted to do some sort of acting stuff down the line, but modeling is a good way to get comfortable in front of the camera.
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In social situations, when I'm surrounded by people, I become very shy. But if there's a camera in front of me, I feel free.
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I have always stood in awe of the camera. I recognize it for the instrument it is, part Stradivarius, part scalpel.
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3D is not a fire and forget tool. It takes a lot of very careful consideration and it will change your approach to where you put the camera so 3D isn't for everybody.
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When I was a kid, I would make kung fu movies with the kids in the neighborhood, and I would be the guy behind the camera directing everybody, but they were all very silly little shorts and comedy bits.
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Fortunately, I've never been very conscious and inhibited of what I have to do. The camera's my soul mate.
