Vincent D'Onofrio Quotes
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And then, as the years went on, I just kept moving along, busting into doors and getting roles, until I started to actually believe that what these other people were saying was true.
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I've never tried to be something I'm not.
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I have changed so much as an actor over the years.
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I read Spider-Man, and that's how I knew about Wilson Fisk.
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Evil changes everybody!
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Some scenes you juggle two balls, some scenes you juggle three balls, some scenes you can juggle five balls. The key is always to speak in your own voice. Speak the truth. That's Acting 101. Then you start putting layers on top of that.
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I did a film called 'Fire with Fire.'
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To me the definition of true masculinity – and femininity, too – is being able to lay in your own skin comfortably.
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Acting is not a mystery. There's nothing that I know that other actors don't know. We all act, we're all actors, we all know the same thing. The only thing that separates us is experience.
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It's like why people read scary books or go see scary movies. Because it creates a distance. They're scared, but they're not going to get hurt.
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I never was happy with the job I did in 'Ed Wood.'
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What kind of recognition do I deserve? I don't deserve any recognition.
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Then I did Mystic Pizza, just to do something I wasn't fat in.
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Frank Miller and David Mack are incredible artists.
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This haunting idea of becoming a celebrity doesn't settle well with me at all.
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The search for the truth is not for the faint hearted.
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When you're a child, you're able to assimilate so easily into any situation. You even start talking like the people you're around. I wasn't conscious that I was so good at that until I started to truly feel like an actor.
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All of us are trying to achieve 100 percent in our work. That's all we struggle to do. We never do, but we never stop trying until the day we die. It's that struggle to achieve 100 percent, that's where our performance lies, that's what the audience gets. They get the struggle.
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When I did 'The Cell' - no matter what you think of that movie, because I have my opinions of it too - it was, you know, I still have nightmares from the research that I did. Not from playing the part, just from the research.
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I learned a lot from Dick Wolf. I'll always remember playing that character because it was such a good character. It was great to be able to be a character like that for television. I think the thing that I'll bring from the whole experience, the whole 10 years, is I had never been interested in the television business before.
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My partner Dan Ireland wants me to direct, and I read a lot of scripts – some good enough that I could see myself. But then it's like, so what? Who cares? Let someone else direct it.
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When I played Robert Howard in 'The Whole Wide World', I was struggling with it. There's this dual thing where you feel real good about being able to play this juicy part, and then there's constant shame: 'Who am I to pretend to know who this guy was? Who am I to represent this guy for people who never knew him?'
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So I moved to Europe and only came back when directors like Robert Altman would call me after they'd seen my work in Full Metal Jacket.
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Until I got 'Full Metal Jacket,' I was doing Off-Off-Broadway plays with three people in the audience.