Camera Quotes
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If there were teenagers who had a video camera and saw what I did on a daily basis, they'd be bored out of their mind.
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I don't think a camera and a cameraman can destroy a family.
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My preference is that, that day when someone sticks a tripod in front of you with a camera on the top, it is not day one.
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As I have practiced it, photography produces pleasure by simplicity. I see something special and show it to the camera. A picture is produced. The moment is held until someone sees it. Then it is theirs.
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The camera photographs what's there.
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My mentality is: I'm going to do it. I'm going to eat a lot of food, and then I'm going to complain about it when I see myself on camera.
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The dog is the perfect portrait subject. He doesn't pose. He isn't aware of the camera.
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I told them, 'Don't even think about the camera. It may not even be near you. Just have the party.' And then there's somebody in the middle of them shooting film.
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You get some directors, and I can never understand it - there's a thing they call the 'video village' where all the monitors are, and you've probably seen it on set visits - I hate that! I never, ever like sitting in video village. I get either my own monitor or a hand held monitor, and I stand right by the camera.
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I don't really know how to work a camera.
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You can be, like, a totally different person on camera, and it's fun. You can take on another character, and it's awesome.
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I come from Venezuela, from the independent film arena, and you work with one camera.
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I have definitely been curious and involved in the process; even as a young actor. I was always looking at where the camera was, what story it was telling. And as my experience grew, I wanted to know even more.
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I shoot with a few different camera's. A Sony A6000 with several lenses and a Lumix LX100 with a beautiful Leica lens. I like to travel light so I can have it with me most of the time. I really try and document all the places we travel to.
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I think I may just enjoy being behind the camera as much as I like being in front of it.
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It is the photographer, not the camera, that is the instrument.
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In 1934 people were crazy and there was great enthusiasm for Hitler. We had to try and find that with our camera.
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Well, I mean, you have an emotion, you want to express it. You don't just look in the camera and do it. You want to hide from the embarrassment of your brother saying you're not allowed to come into my town.
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I think I'm better behind the camera than I am in front.
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So about twenty years ago I gave up on painting - and got into terrible debt after buying a load of camera gear!
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Of course The Exorcist changed my entire life. I don't think there are very many people that will have the experience of sitting in this room, doing a job, and the next thing you know you've been on every television camera around the world, and people are they're frightened of you.
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The camera gave me an incredible freedom. It gave me the ability to parade through the world and look at people and things very, very closely.
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After 2000 or so, I started to realize I wanted to be doing something else. I didn't want to be in front of a camera. I was frustrated. I didn't think I would stop acting, but I didn't want to be seen.
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Democracy is born in dirt, nourished by the digging up and turning over as much of it as can be brought within reach of a television camera or subpoena.
