G. Willow Wilson Quotes
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If you love things or ideas or people that contradict each other, you have to be prepared to fight for every square inch of intellectual real estate you occupy.
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The Qur'an is in many ways far less concrete than the Bible, relying on the esoteric more often than the apparent.
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To me, a staircase looks like a series of dark and light horizontal stripes, which is exactly how you'd draw a staircase. So I know how the image is going to look on the page.
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We think of divinity as something infinitely big, but it is also infinitely small - the condensation of your breath on your palms, the ridges in your fingertips, the warm space between your shoulder and the shoulder next to you.
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To me, writing an ongoing series feels like driving a freight train downhill. All you can do is steer and pray.
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In the West, anything that must be hidden is suspect; availability and honesty are interlinked. This clashes irreconcilably with Islam, where the things that are most precious, most perfect and most holy are always hidden: the Kaaba, the faces of prophets and angels, a woman's body, Heaven.
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Despite all the criticisms that have been leveled at the comics community, both in terms of fans and creators, I have always felt more comfortable and accepted in the comics community than I have in any other medium of publishing that I've had the pleasure of working in.
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'Butterfly Mosque' came out of the emails I wrote to family and friends back home after moving to Egypt.
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The 'Ms. Marvel' mantle has passed to 'Kamala Khan,' a high school student from Jersey City who struggles to reconcile being an American teenager with the conservative customs of her Pakistani Muslim family.
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It's patently impossible for a Muslim character to represent 'all Muslims.'
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An ambitious, surreal tale of the love between a young Arab girl sold into marriage and the orphan boy she adopts, 'Habibi' spans multiple eras of conflict and change, stretching the lifetimes of its two protagonists over many centuries.
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The Qur'an is God's property, not mine.
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In many countries in the Middle East - and this is changing in the wake of the Arab Spring - but for a long time, censorship of books and film was a very big deal. There were books you couldn't buy; things with political content would be censored, but there were some genres of books and film that the censors just didn't understand.
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It took me a long time to square with the fact that none of my experiences are typical - I'm not a typical American, but I'm also not a typical Muslim.
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I didn't believe in spiritual homelands, and found God as readily in a strip mall as in a mosque.
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The first comic I ever read was an 'X-Men' themed anti-smoking PSA they gave out in health class when I was about 10.
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When you write for a comic series, many superheroes have 60 or some years of history that you are coming into.
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A lot of my writer friends - some of whom are brilliant - work when the Muse calls them, for lack of a better description. You know, days of nothing, then this creative burst where they write for 36 hours straight fueled by caffeine and idealism.
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There are very religious people who write comics and who love comics.
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'Lost' seems to be the inverse of 'Air': It explores dispossession and identity by forcing a bunch of people into one invented landscape instead of using many invented landscapes to keep people apart.
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Comic book readers tend to be pretty secular and anti-authoritarian; nothing is above satire in their eyes.
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The story of a passionate woman in a stale marriage is as old as Helen of Troy.
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The transition between life in red-state America and life in the Arab capital was at times overwhelming because of the traditional segregation of men and women in many public and private settings.
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I don't think being a writer who is religious means you have to write about nothing but religion. When I do write about religion, it's to inform the story, not to push a certain agenda.