Record Quotes
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Amazon has historically been a bully, and I don't shop there. But I love Goodreads. For the record.
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I am so anti-people's opinions when I'm making a record, but when it's finished and I put it out there, I hope somebody likes it.
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When the 'Thriller' album came up, we all knew that was going to be the cool record.
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It's not about battling the original artists when I record these songs, it's about paying tribute to them.
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We've always prided ourselves on making a record that we want to feel proud of, ones that are hopefully timeless so they can be around for a long time.
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We were being put somewhere interesting from being involved with analog, to working with digital. Those two worlds just collided and it felt great! That was probably the key inspiration in terms of me going on to not just making dub plates for my sound, but doing the unobvious and "selling out" to the masses. I subsequently got a record deal because of that.
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I grew up in an age where I loved going and buying a physical record. Things that were digital and all that stuff, it wasn't around. So I loved going and buying an album and looking through the inserts and reading stuff and seeing pictures.
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All you can do as an artist is just strive to make the best record you can and ride the rollercoaster as it goes up and down.
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Unfortunately, the record I did with Motley wasn't exactly a huge success. But working with those guys was a huge learning experience as well as a really creative time, so I had an absolute blast during that five years of my life!
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My brother was always in bands and on the road when I was a kid and he was my inspiration. He never made it with a big band, in fact he never made a record. Here he is fifty-something years old.
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It got me more recognition from the record labels and more independent artists started to reach out and tried to look to me for guidance to help them out.
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If you're part of a record company, you're a manufactured product. It doesn't mean that you're not talented.
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When I recorded for Columbia, I could usually do anything in one take...I would invariably want to use the first take because that would be the one that was spontaneous and fresh.
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I don't think we realized how far gone we were in people's eyes, ... We pretty much had to prove ourselves over again, from our fans to people in the music industry. It's been an uphill fight. Nobody handed anything to us on this record.
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After leaving Evanescence, I dealt with a lot of sh--, then being diagnosed as bipolar, and my heavy drug use and rehab ... this record went through all that with me, so making it was a complete catharsis, ... I'm focusing on me and getting the unhealthy things out of my life, which isn't always an easy thing to do, but that's been my main focus right now. I'm still on a journey, you know, but I'm a lot happier now. I can sleep easier.
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I'll name check Radiohead on this--they've done a pretty suave marketing plan on this new record. I think generally it's been a pretty cool thing, but what they've done is used those (sales) numbers in a way that they can spin them anyway they want cause you don't know what they are.
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You ask me if I keep a notebook to record my great ideas. I've only ever had one.
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I sort of feel I'm only as good as the last record I made. I was on as soon as I finish it I immediately put it aside and move on to the next project.
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When I was 13, I told my dad I needed to record myself because I sounded awesome, even though I didn't. By 18, I was a lot better. Then I got a publishing deal, so I was writing songs for other people professionally.
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I got a record with Frank Ocean.
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You have to pretend that you're not bothered by your record leaked early. So that's the tack that I'm taking. It's like if you're working in a store and people come and openly shoplift from you, and you're not allowed to say anything about it. Instead, you're supposed to smile and go, "Hope you enjoy that!" I'm not going to complain about it, I don't get to make the rules. It's just really funny how that works.
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Now we've finally been able to give them a common home where they work really well as a whole, which is a relief. We didn't want to see them just trickle out randomly or even worse just sit in the vault until the next record or who knows how long. So that's the beauty of technology: We can get songs out to our fans whenever and however we want.
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Nowadays you can record on your laptop with Pro Tools, which I do quite often.
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I don't know what to say about this book. The experience on which it is founded is so extraordinary, that an honest record of it should be preserved . . . But it would have driven me mad; and I am not sure that the author came out of it without a slight derangement.
