Record Quotes
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We were being put somewhere interesting from being involved with analog, to working with digital. Those two worlds just collided and it felt great! That was probably the key inspiration in terms of me going on to not just making dub plates for my sound, but doing the unobvious and "selling out" to the masses. I subsequently got a record deal because of that.
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I'm not keeping track, but the record is there for someone to break.
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I played drums on Keith Carradine's first record.
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If you're part of a record company, you're a manufactured product. It doesn't mean that you're not talented.
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Unfortunately, the record I did with Motley wasn't exactly a huge success. But working with those guys was a huge learning experience as well as a really creative time, so I had an absolute blast during that five years of my life!
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When the 'Thriller' album came up, we all knew that was going to be the cool record.
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I don't think we realized how far gone we were in people's eyes, ... We pretty much had to prove ourselves over again, from our fans to people in the music industry. It's been an uphill fight. Nobody handed anything to us on this record.
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When I recorded for Columbia, I could usually do anything in one take...I would invariably want to use the first take because that would be the one that was spontaneous and fresh.
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You ask me if I keep a notebook to record my great ideas. I've only ever had one.
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I grew up in an age where I loved going and buying a physical record. Things that were digital and all that stuff, it wasn't around. So I loved going and buying an album and looking through the inserts and reading stuff and seeing pictures.
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You have to pretend that you're not bothered by your record leaked early. So that's the tack that I'm taking. It's like if you're working in a store and people come and openly shoplift from you, and you're not allowed to say anything about it. Instead, you're supposed to smile and go, "Hope you enjoy that!" I'm not going to complain about it, I don't get to make the rules. It's just really funny how that works.
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We've always prided ourselves on making a record that we want to feel proud of, ones that are hopefully timeless so they can be around for a long time.
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Now we've finally been able to give them a common home where they work really well as a whole, which is a relief. We didn't want to see them just trickle out randomly or even worse just sit in the vault until the next record or who knows how long. So that's the beauty of technology: We can get songs out to our fans whenever and however we want.
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I don't know what to say about this book. The experience on which it is founded is so extraordinary, that an honest record of it should be preserved . . . But it would have driven me mad; and I am not sure that the author came out of it without a slight derangement.
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That's the life really isn't it? You write. You record. You play. And it never grows old.
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My brother was always in bands and on the road when I was a kid and he was my inspiration. He never made it with a big band, in fact he never made a record. Here he is fifty-something years old.
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Initially, I was very much concerned with having absolute control. But as time has gone by, I'm not. I mean, the whole first record was really just how I spent my free time: stoned and drinking coffee in my house, spending three hours on a song.
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I got a record with Frank Ocean.
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When I was 13, I told my dad I needed to record myself because I sounded awesome, even though I didn't. By 18, I was a lot better. Then I got a publishing deal, so I was writing songs for other people professionally.
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I'll name check Radiohead on this--they've done a pretty suave marketing plan on this new record. I think generally it's been a pretty cool thing, but what they've done is used those (sales) numbers in a way that they can spin them anyway they want cause you don't know what they are.
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In Utero is a testament to the artistic vision of Kurt Cobain. It's kind of a weird record, and it's strangely beautiful at the same time. And if you look at Kurt's paintings and his drawings - he even did a sculpture for me - it's a rising, tortured-spirit person. It's kind of weird. It's done well, but it's like what Dave was saying about having your own sound. Kurt was a great songwriter. He knew he had a good ear for a hook [and was] a great singer, great guitar player, and In Utero is a good representation of what he liked in art and how he expressed himself.
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I'm a bad pessimist. I don't think about how successful any record I've ever done is going to do before it came out.
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Have I ever made a mistake? I am sure. Do I think I can stand on my record? I do.
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I've spent a lot of time in tiny venues in the way that I got my record deal and got my name out there just performing live. I was literally performing my songs in all kinds of different ways with different guitarists, and I didn't have an album up online or anything. It's been a lot of work; it definitely hasn't been a sudden explosion into fame.
