A concert is not a live rendition of our album. It's a theatrical event.
I thought if we made an album that tried to change the world, or give it hope, it would really happen. But all people found was death and destruction and misery and self-hate. I learned that the world doesn't want to be saved, and it will f**king punch you in the face if you try.
My Chemical Romance
There's a bootleg album that was recorded when I was 14 or 15, a compilation of things live at different clubs. Songs like Girl from Ipanema and Cry Me A River. I don't know what the title of it is.
Anytime I have an idea, I'll make sure that I put it down so that when we do sit down to write an album, I don't have to dream it all out of thin air. I don't have to be creative on the spur of the moment, or spontaneously artistic. I just take advantage of whenever creativity strikes.
Somebody at the record company suggested the idea, of recording an orchestral album of our older songs. A person from August Day asked if we would be interested. They contacted everyone from the band. We were actually never in the same studio together. It was recorded in different studios everywhere.
A Flock of Seagulls
Each album you make, each body of music, you just never know how the world's going to relate to it.
Nowadays, who actually listens to the tracks on an album, anyway?
Even though the album is an endangered species, can we try and make a coherent and good one, even if it's like making a horse and cart at a Nascar conference?
I'll never totally get away from being who I am, which first, to many, is the daughter of Nat King Cole, which became even more intensified with the 'Unforgettable' album.
I was having a rare weekend back in Sheffield at my local pub and somebody asked me what we were going to call the new album. I said I wasn't sure yet. Somebody turned around and said, "Why don't you call it Halley's Comet? It comes around about as often.' In fact, Halley's Comet has already been out and we are still recording.
We thought it would do OK, but we weren't sure. We didn't have a crystal ball, and we didn't say, 'Oh yeah, it's a smash.' We liked the song but didn't know if it would be the best to debut the album with. But there is something special about the song. People caught onto it.
3 Doors Down
I wouldn't buy somebody's album on a dare if they called him a musician's musician. I don't write to be a writer's writer. I don't want to be like the little-magazine writer.