Studio Quotes
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I write in the studio.
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From the end of 2015 to the start of 2016, I was always at the studio with Mustard, just figuring out a sound.
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I joined the Actors Studio and began to work with Lee Strasberg, and that changed my work.
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The home studio has taken a bite. People are choosing cheapness over quality. They just don't want to spend the money.
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If I didn't have a girlfriend, I'd have 10 girls at the studio, and they would make me not rap.
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We allow no geniuses around our Studio.
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We were all off our faces on mushrooms when we recorded Plug In Baby... There was this big field next to the recording studio filled with them. So we ate them all. I don't know what we were doing, but we all ended up naked in a jacuzzi and I went deaf in one ear from falling asleep in the sauna...
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In the studio, I'm always throwing people on different instruments.
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I was under contract to Paramount. They wanted to make me into somebody which I was not. So I got so scared and rebelled, so they threw me out of the studio.
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It really does take a lot of time to make records, to be in the studio and do all that stuff.
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If I could, I would not do anything else. I'd just be in the studio for my whole life. I would never go to parties, events, and red carpets. I would rather just be in the studio for the whole time. I don't even care. Nobody has to know what I look like. I just want to make music.
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If anybody gets highbrow around the studio, out he goes.
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I am always locked in my design studio.
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I love the studio audience. That's where I feel the most at home. You know right away if you're being funny or not.
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It's a privilege to serve the poor, to be servants of noble Africans, but I better belong in the rehearsal room or in the studio with my band. That's where I want to be and I still wake up in the morning with melodies in my head.
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The typical output deal from a studio is 10 to 14 movies a year.
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I am one day going to be working openly in the motion picture industry. When that day comes, I swear to you that I will never sign a term contract with any major studio.
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I love, love, love just being hands on at all times in the studio.
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Once I started reinventing for myself what being an artist was - not going into a studio, but making things on my own terms in response to being out in the world - I started to really enjoy it... I realized that everything else for me was hell.
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I'm the happiest when I'm in the studio, not on a beauty parade.
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I missed so much of the Swinging Sixties by working. From 1961 to 1969, I got up at 4.30 A.M., a car came for me at 5.30 A.M., and I was taken to our studio at Teddington or Elstree, and we filmed until I got home at 9.30 P.M., five days a week.
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I wasn't ready to write my own songs when I was in my early 20s. I'm still growing but I definitely grew because of my experiences on the road and in the studio.
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Around the age of 14, 15, I was in the studio, serious about it.
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I walk into the studio and we're all so happy to see each other.
