Studio Quotes
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When it comes to the music making, that's when we completely are open and just let anything go down in the studio. It's nice to go with whatever's happening. It's really important to just let the music come out of you.
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The teams that worked on the innovative distribution of 'The Interview' are just a few of the many that put in long hours over our studio holiday to ensure business continuity, rebuild our systems, and protect our company.
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I go in and out of the studio in sporadic periods, I don't go in there for hours on end. I'm looking for that initial vibe, be it from a beat, a sound, a loop, whatever. Nothing is planned, nothig is deliberate.
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A powerful studio boss doesn't want to be bested by a woman, even in chess. And a successful agent steps on a lot of toes. You lose actors jobs so you can get them for your own clients.
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We physically fight in the studio until one of us wins and that’s how we choose the right hi-hat or kick drum.
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We can be in the studio with the hottest producer, but we might not be able to create any magic! It's not about the hottest. It's about who we feel we have that connection with, and that's who we're going to be working with.
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I've delved into a lot of non-musical projects. Learning new things and accomplishing things with my hands that I put aside as an adult to devote all my time to music. As I've gotten older, I've been concentrating on quality and no filler, and spending more time constructing all of the parts of music, rather than going into the studio with one or two parts and then letting the rest work itself out.
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I have a few methods that I use. One of them that kind of works but is a bit a boring is that I lock myself in the studio and I have four hours to work and come up with stuff. If nothing's sticking in four hours, then I can stop.
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Gather and hoard your inspirations as you live, then recapture them as needed in the studio.
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I'm getting in the studio with everybody I've always wanted to work with. That's the amazing thing.
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Getting used to the studio and everything was fun, we freaked about alot. I was working very hard then.
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When I was in the studio with Madonna, we would work 12-hour days. If you want to work with the best, then that's what you have to do.
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I'm never not in the studio creating; it's like my second home.
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I have got important quotes in my life written on my wall in my studio in big handwriting three inches tall which I sometimes look up and read.
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I hate filming in the studio.
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I have just returned from the dubbing studio where I spoke into a microphone as Severus Snape for absolutely the last time.
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You have total freedom. It's like, if you do a solo record, there are no restrictions and you can do whatever you want, good or bad. You can have these passing fancies where you go in to the studio one day and you want to do something like what you did on the way in. That's dangerous. You have to have some sort of focus.
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A studio is like a meditation room where music is created. And a live performance is the place where the creation of the studio is taken ahead. I love both.
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I like being in a recording studio. I like watching a song go from the simplicity of the original music.
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And the general opinion is we are much better on stage than in the studio.
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It's a continuation. It feels like we were in the studio for 16 years. It was bottled up and this album was an outpouring.
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I can’t travel every weekend. I like to spend some weekends at my studio.
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Sometimes I think of myself as a little bee. I go from one area of the studio to another and gather pollen and sort of stimulate everybody. I guess that’s the job I do.
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I know when I feel good when I play. There's a closeness with musicians you only get from playing live, even in the studio it's still playing live. For me, it's what expands my soul.
