Studio Quotes
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The teams that worked on the innovative distribution of 'The Interview' are just a few of the many that put in long hours over our studio holiday to ensure business continuity, rebuild our systems, and protect our company.
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When it comes to the music making, that's when we completely are open and just let anything go down in the studio. It's nice to go with whatever's happening. It's really important to just let the music come out of you.
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I have a few methods that I use. One of them that kind of works but is a bit a boring is that I lock myself in the studio and I have four hours to work and come up with stuff. If nothing's sticking in four hours, then I can stop.
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I think it was Fox, actually; Fox, the studio, which had sold the rights to the television show, as I understand it, but had retained the film rights.
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I've delved into a lot of non-musical projects. Learning new things and accomplishing things with my hands that I put aside as an adult to devote all my time to music. As I've gotten older, I've been concentrating on quality and no filler, and spending more time constructing all of the parts of music, rather than going into the studio with one or two parts and then letting the rest work itself out.
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We can be in the studio with the hottest producer, but we might not be able to create any magic! It's not about the hottest. It's about who we feel we have that connection with, and that's who we're going to be working with.
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I have got important quotes in my life written on my wall in my studio in big handwriting three inches tall which I sometimes look up and read.
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In America there's no rights for the artist, so whatever films I've made kind of belong to the studio.
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Things are very simple to be honest: when we arrive at the studio for a session, we just get going and let it go naturally and improvise as we go along, this is why it is always so magical when we go into a studio. It is just so natural for us to put a song together.
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Getting used to the studio and everything was fun, we freaked about alot. I was working very hard then.
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Gather and hoard your inspirations as you live, then recapture them as needed in the studio.
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When I was in the studio with Madonna, we would work 12-hour days. If you want to work with the best, then that's what you have to do.
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I'm getting in the studio with everybody I've always wanted to work with. That's the amazing thing.
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And the general opinion is we are much better on stage than in the studio.
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It's a continuation. It feels like we were in the studio for 16 years. It was bottled up and this album was an outpouring.
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A studio is like a meditation room where music is created. And a live performance is the place where the creation of the studio is taken ahead. I love both.
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You have total freedom. It's like, if you do a solo record, there are no restrictions and you can do whatever you want, good or bad. You can have these passing fancies where you go in to the studio one day and you want to do something like what you did on the way in. That's dangerous. You have to have some sort of focus.
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I can’t travel every weekend. I like to spend some weekends at my studio.
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Sometimes I think of myself as a little bee. I go from one area of the studio to another and gather pollen and sort of stimulate everybody. I guess that’s the job I do.
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I know when I feel good when I play. There's a closeness with musicians you only get from playing live, even in the studio it's still playing live. For me, it's what expands my soul.
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I have just returned from the dubbing studio where I spoke into a microphone as Severus Snape for absolutely the last time.
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I like being in a recording studio. I like watching a song go from the simplicity of the original music.
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I love the stage more than the studio.
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I hate filming in the studio.
