Studio Quotes
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Back then, I was really into composing the entire solo, beginning to end. I wanted to have it at least 80 to 90 percent complete before going into the studio. I didn't improvise in the studio. I was young, and I didn't really have the development in my playing or the ability to show up with nothing and then put down 500 ideas. I can do that now because I'm so much more of a musician now.
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I don't have any desire to go back into the studio, and I certainly don't have any desire to go back on the road.
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A powerful studio boss doesn't want to be bested by a woman, even in chess. And a successful agent steps on a lot of toes. You lose actors jobs so you can get them for your own clients.
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I'm never not in the studio creating; it's like my second home.
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You know, I do feel as though it’s more of a follow-up. I mean, we recorded this record live and in the fashion that I really wanted to do that first Bash & Pop record, although it didn’t quite turn out as live a record as we planned. The first one, anyway. So this one actually has more of a live rock ‘n’ roll band feel to it. And I really kinda wanted to make a record where I wasn’t wearing too many hats at once and I could actually, you know, capture some of the essence of a rock band playing live together in the studio.
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I hate filming in the studio.
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We work together a lot. So we don't really sit around after five days in the studio. We've got families, so we all like to be home when we can. We're not into any rock-star lifestyle or partying or clubbing or anything. We've generally seen enough of each other by the end of the week.
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We physically fight in the studio until one of us wins and that’s how we choose the right hi-hat or kick drum.
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I go in and out of the studio in sporadic periods, I don't go in there for hours on end. I'm looking for that initial vibe, be it from a beat, a sound, a loop, whatever. Nothing is planned, nothig is deliberate.
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It's a completely independent atelier and company. We develop the prototypes here. There's a pattern maker, a sample maker, a commercial team, a head of sales, an in-house production team. That's the price of independence. And in the studio I work closely with Sarah-Linh on the collection, and Nao takes care of development.
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I'm getting in the studio with everybody I've always wanted to work with. That's the amazing thing.
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We were telling everybody we weren't getting back together when we were in the studio actually recording. We wanted to try it on, to see how it would fit.
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I can’t travel every weekend. I like to spend some weekends at my studio.
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A studio is like a meditation room where music is created. And a live performance is the place where the creation of the studio is taken ahead. I love both.
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Getting used to the studio and everything was fun, we freaked about alot. I was working very hard then.
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I have a few methods that I use. One of them that kind of works but is a bit a boring is that I lock myself in the studio and I have four hours to work and come up with stuff. If nothing's sticking in four hours, then I can stop.
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Gather and hoard your inspirations as you live, then recapture them as needed in the studio.
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It's a continuation. It feels like we were in the studio for 16 years. It was bottled up and this album was an outpouring.
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When I was in the studio with Madonna, we would work 12-hour days. If you want to work with the best, then that's what you have to do.
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I think that we're gonna start seeing more and more people who started as a YouTube personality and now have their own studio, and they're gonna start creating things: story-driven stuff, longer-form stuff that people have an opportunity to enjoy.
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You have to collaborate with the moment and the environment. It kind of was magnified by the house being a studio.
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I like being in a recording studio. I like watching a song go from the simplicity of the original music.
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Sometimes I think of myself as a little bee. I go from one area of the studio to another and gather pollen and sort of stimulate everybody. I guess that’s the job I do.
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I have just returned from the dubbing studio where I spoke into a microphone as Severus Snape for absolutely the last time.
