Studio Quotes
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Don't go to the same studio twice, or work with the same engineer twice.
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I was in George Martin's studio in Amsterdam and he was telling me, 'They come in here and it takes them three days to do a bass line.' Well I'm not from that era.
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While I was with Procol Harum, the only time I'd see my guitar was either when I walked onstage or in the studio.
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We have a small UK tour booked and some studio time and a lot of drinking and partying and talking like pirates! Hahaha!
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I do see a lot of young artists who write records or sacrifice records, because there are a lot of older artists who are preoccupied; they don't have as much time as they used to to be in the studio.
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I'm glowing in the dark with my studio tan. I've been in a cave of music for months and months and months.
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When I write in the studio, I tend to gravitate toward the ability to play really loud, aggressive, post-punk stuff, with big, heavy guitars and a big rock drum sound.
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I tend to play better in the studio, no pressures, just sheer volume and alcohol.
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I started using this outlet of creativity - you know, going to the studio, writing, meeting these writers and producers - as the best form of representing myself to my fullest potential.
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If you had a sign above every studio door saying ‘This Studio is a Musical Instrument’ it would make such a different approach to recording.
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I've been to the studio several times, and it's not that I'm not happy with what I've got, but each time I come away, I feel that I've learned something that I want to work on.
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I'm never not in the studio creating; it's like my second home.
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I think that we're gonna start seeing more and more people who started as a YouTube personality and now have their own studio, and they're gonna start creating things: story-driven stuff, longer-form stuff that people have an opportunity to enjoy.
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Being a guy who was a geek with tape machines in the early days and really interested in how records get made, I was inspired in particular by how the Beatles were innovating when they were making those records late in their career while using the studio in a maximal way.
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Performing was always something that I actually used to do before I settled in the studio as a composer.
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I listen to nothing or classical music just because after being in the studio for twelve hours, the last thing you want to do is listen to anything.
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Chaos is everywhere - and artists, to fashion art and live truthfully, have no choice but to invite this unwanted guest right into the studio.
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I don't care more about '13' because it's in the Olivier than I did about 'Cock' in a 100-seat studio. They both matter because it's still a person sat there watching your play. And the play has to be good enough - because there are a hundred other writers out there who deserve to have their play on instead.
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It's a little intimidating to walk into a studio and know that you're going to sing a duet with Barbra Streisand.
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I like to fool with the stuff and I go up in my little studio and once you get into it, you may stay there hours doing it.
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I think it's because we're not purists, we're open to all kinds of music. We're not afraid to take chances and we work really hard, and we gig relentlessly, we've been very active in the studio, we're active with the record labels that we have. So I think it's like a full-on assault. We've stalled in many different directions and it kept us in the limelight for so many years.
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It's hard to know exactly what it sounds like to me. I'm in the studio and I write it. and that's it.
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I'm trying to laugh uncontrollably with whoever I'm making a song with because whatever we just listened to that we just came up with is so dope. I'm chasing that feeling in the studio, not like a trend or what's hot on the radio at the moment. It just seems like the more I do that, the better I get at what I do. I'm going to keep doing that.
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A lot of people say don't let bad vibes into the studio, but I love to. If you're having a bad day, write a song that feels like that.