Studio Quotes
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I started on 'Saturday Night Live' the same time Conan started on 'Late Night.' We just had a relationship because I would be upstairs in the studio and whenever he couldn't get a guest - which was often back then since he was just starting out - he would just call me down to be a guest.
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I was in George Martin's studio in Amsterdam and he was telling me, 'They come in here and it takes them three days to do a bass line.' Well I'm not from that era.
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I've never went into the studio looking for a certain direction for my next production. I make music that I enjoy and whatever flows in my head when I'm in the studio is how the track is going to turn out.
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Acting comes first. I would love to make an album. I was at an event... for Dionne Warwick, and we got to go in the studio and go crazy. I love singing, but it's very time consuming. I have to make time for it.
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We have a small UK tour booked and some studio time and a lot of drinking and partying and talking like pirates! Hahaha!
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I do see a lot of young artists who write records or sacrifice records, because there are a lot of older artists who are preoccupied; they don't have as much time as they used to to be in the studio.
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Let me earnestly recommend...one studio which you may freely enter and receive in liberal measure the most sure and safe instruction...the Studio of Nature.
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Don't go to the same studio twice, or work with the same engineer twice.
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I wanted to keep the music very electronic, very filmic, and give it an almost sci-fi like quality. Music is a necessity for me. I go into the studio at least five days a week, every week, so once I had the idea and the template, the process was quick and fun.
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I want to say to the people, if I am a star, the people made me a star. No studio, no person, but the people did.
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It's hard to know exactly what it sounds like to me. I'm in the studio and I write it. and that's it.
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Studio gives me the option to bring in bands and mixers that I really want to be in here so there’s lots of uses for this place. I don’t have to run it to make money so I can focus on working on projects that I really like.
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If you had a sign above every studio door saying ‘This Studio is a Musical Instrument’ it would make such a different approach to recording.
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When I write in the studio, I tend to gravitate toward the ability to play really loud, aggressive, post-punk stuff, with big, heavy guitars and a big rock drum sound.
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When I was in my studio I didn't give a damn what sex I was... I thought art is art.
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I listen to nothing or classical music just because after being in the studio for twelve hours, the last thing you want to do is listen to anything.
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It's a weird thing when you make records. You try to hear it before you make it, so you walk into the studio with this idea of what you expect to happen, and that usually changes. That usually turns into something else, and that's a good thing. If everything was as you imagined it to be, it just wouldn't be as much fun.
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Performing was always something that I actually used to do before I settled in the studio as a composer.
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I don't care more about '13' because it's in the Olivier than I did about 'Cock' in a 100-seat studio. They both matter because it's still a person sat there watching your play. And the play has to be good enough - because there are a hundred other writers out there who deserve to have their play on instead.
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While I was with Procol Harum, the only time I'd see my guitar was either when I walked onstage or in the studio.
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I think it's my job to fight. The studio makes you question your idea, and you have to prove it.
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A lot of people say don't let bad vibes into the studio, but I love to. If you're having a bad day, write a song that feels like that.
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I'm glowing in the dark with my studio tan. I've been in a cave of music for months and months and months.
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I've been to the studio several times, and it's not that I'm not happy with what I've got, but each time I come away, I feel that I've learned something that I want to work on.
