Studio Quotes
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In America there's no rights for the artist, so whatever films I've made kind of belong to the studio.
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I sat in my studio and painted, and did not need Nature as a prompter. I only had to immerse myself in myself, pray, and prepare my soul to a state of religious awareness. I painted many, many 'Faces'.
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I started on 'Saturday Night Live' the same time Conan started on 'Late Night.' We just had a relationship because I would be upstairs in the studio and whenever he couldn't get a guest - which was often back then since he was just starting out - he would just call me down to be a guest.
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I can’t travel every weekend. I like to spend some weekends at my studio.
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I like to go into the studio and let things happen. I like to just let the session take on. I don't want to have to clock in at nine and end at eight. That's just not me, that's not how my creativity flows.
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I love the stage more than the studio.
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Locations are all tough, all miserable. I never left the sound stage for 18 years at Warners. We never went outside the studio, not even for big scenes.
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I know when I feel good when I play. There's a closeness with musicians you only get from playing live, even in the studio it's still playing live. For me, it's what expands my soul.
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I hate filming in the studio.
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As a frontman I'm going to wear leather pants and get blowjobs in the studio. That would be nice. They are definitely not cool, but I like them. I don't listen to them, but I like them when I hear them on the radio, normally.
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"Rock Candy" was my first record. I had never been in a studio, so I was in shock and I had no idea if it was great or if it stunk. I was just putting in my heart and soul, and closing my eyes and keeping my fingers crossed. I gave it everything.
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I don't remember doing anything else; I don't remember not living in the studio. I'm itching for people to hear this album because I'm sick of hearing it myself.
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Studio gives me the option to bring in bands and mixers that I really want to be in here so there’s lots of uses for this place. I don’t have to run it to make money so I can focus on working on projects that I really like.
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You have to collaborate with the moment and the environment. It kind of was magnified by the house being a studio.
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Back then, I was really into composing the entire solo, beginning to end. I wanted to have it at least 80 to 90 percent complete before going into the studio. I didn't improvise in the studio. I was young, and I didn't really have the development in my playing or the ability to show up with nothing and then put down 500 ideas. I can do that now because I'm so much more of a musician now.
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When you're on a daytime drama you get one page, you better damn well know your character. You better know what she would do in every situation because it's a very, very fast paced business. You do ninety pages a day on a Soap Opera. It's insane. It's such a small world, the soaps. It's all contained in one little studio.
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What's working for me is like when I go into the studio, I'm trying to get goosebumps.
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"I got used to it quickly, because it's an easier job than what I was doing. I was making four or five films a year, mostly independent films, around the world. Out of the 41 films I've done, maybe seven of them have been studio films, I had an easy gig. So I would go from film to film. And there would be a new crew, new actors, new directors, new producers, new locations, some much worse than others. I'm not complaining about the work; I'm just saying that having a nice trailer on the set, a nice hotel, and a studio and a network behind your show is a lot easier than wondering why your tent is leaking.
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I wanted to keep the music very electronic, very filmic, and give it an almost sci-fi like quality. Music is a necessity for me. I go into the studio at least five days a week, every week, so once I had the idea and the template, the process was quick and fun.
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I want to say to the people, if I am a star, the people made me a star. No studio, no person, but the people did.
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Let me earnestly recommend...one studio which you may freely enter and receive in liberal measure the most sure and safe instruction...the Studio of Nature.
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I've never went into the studio looking for a certain direction for my next production. I make music that I enjoy and whatever flows in my head when I'm in the studio is how the track is going to turn out.
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My taste changes radically all the time, and I listen to whatever feels good. Another thing is that I'm in the studio so much of the time, and I listen to so much loud, aggressive music for work, that for pleasure, I'll listen to something else.
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While I was with Procol Harum, the only time I'd see my guitar was either when I walked onstage or in the studio.
