Christophe Lemaitre Quotes
It's a completely independent atelier and company. We develop the prototypes here. There's a pattern maker, a sample maker, a commercial team, a head of sales, an in-house production team. That's the price of independence. And in the studio I work closely with Sarah-Linh on the collection, and Nao takes care of development.
Quotes to Explore
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I joined the Actors Studio and began to work with Lee Strasberg, and that changed my work.
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Film has always been a really good tool for me to communicate emotion about why I create a collection. I'm probably one of the first designers to make short films.
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My company Independent Ideas worked with Gucci on a special edition Fiat 500.
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I've been blessed in my career to be able to do studio and independent films.
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The success of 'Kick' will help in the marketing of other small budget independent films I have acted in.
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We allow no geniuses around our Studio.
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India has progressed to a stage where a divorcee status hardly matters. What matters is that you raise a positive, independent, well-behaved and intelligent child.
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I definitely think independent film is very exciting, and you get to sometimes take bigger risks. So that's always a challenge and something that I look forward to.
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I'm always independent. No boss.
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For me, as an actor, there is no commercial or independent or art cinema. For me, it's a character that is given by the director. And it is a task for me that I have to fulfill it to the best of my ability regardless of the kind of film that it is.
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I have a knife collection.
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A boardroom is a collection of individuals, and individuals have varying motives, egos, agendas and qualifications. Sometimes the dynamics can go off track.
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In bourgeois society capital is independent and has individuality, while the living person is dependent and has no individuality.
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My theory is, independent movies only work if you're willing to push the material and do something different.
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The artists that we grew up listening to was also independent like Master P, like Birdman and Lil Wayne. Those are the people that we wanted to model ourselves after. Throwing on the Cartier frames, the army-style fatigue jackets.
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There was a time when men thought it was sexy to have a housewife waiting for him to come home from work in her slippers, but in modern society, I think an independent woman is even more sexy.
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I'm fiercely independent, but I'm also terrified of being alone.
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Well, once I did 'Grease,' everyone was offering me studio pictures in a similar vein – you know, popcorn movie.
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If I wasn't so insecure about myself I wouldn't work as hard as I do. I am constantly seeking approval.
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A guy said to me, 'You're so lucky. You have people like Ray Charles, Barbra Streisand and The Beatles doing your songs.' I figured out, though, the harder I work the luckier I get. The secret of anything is to surround yourself with good people if you want a good product.
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We can't turn and look at the refs for answers. We did nothing but breathe life into that team. It was nothing but a CPR session out there. They just kept waltzing to the basket.
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What I want is a way to put Universal monster toys back in the aisles alongside Star Wars and all the other stuff and introduce today's kids to the classic monsters.
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The first time I held an African drum in my hands was at Koc University in a forest in the northern suburbs of Istanbul.
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It's a completely independent atelier and company. We develop the prototypes here. There's a pattern maker, a sample maker, a commercial team, a head of sales, an in-house production team. That's the price of independence. And in the studio I work closely with Sarah-Linh on the collection, and Nao takes care of development.
