Sally Field Quotes
I joined the Actors Studio and began to work with Lee Strasberg, and that changed my work.
Quotes to Explore
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My mother has been a wonderful model for the professional woman - a loving mother dedicated to both her family and her work. She inspired me, made me proud, and developed in me an enormous respect for women in general.
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I am just like Dr. Armaan - fun-loving, flirtatious, and tension-free. I am serious about my work, but apart from that, I am always playing pranks on people. As a viewer, I relate more to 'Dil Mill Gayye.'
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I've always respected and appreciated Punk, but we never really hung out. We came from the same route, but we didn't necessarily hang out in the same circles. I've always had a great appreciation and respect for his hard work.
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It was the labor movement that helped secure so much of what we take for granted today. The 40-hour work week, the minimum wage, family leave, health insurance, Social Security, Medicare, retirement plans. The cornerstones of the middle-class security all bear the union label.
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I love doing impressions of politicians because the task is always to imagine the private lives of these people whose job it is to project an image of staunch, unflinching leadership and grace, and that's just not how human beings, in their heart of hearts, work.
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Sexual harassment at work... is it a problem for the self-employed?
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Nobody has approached me about an offer to work in India. However, I can categorically state that if they did so, I would refuse immediately.
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Some things is made by destiny, yes, other things by hard work, but quality you don't learn. Quality you are born with.
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I work out, I go to pilates, I walk and I eat everything I can get my hands on.
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It was really really neat to make the movie because there were mentally challenged actors in the movie. So that was really really cool to work with them and they were always really happy, and they made everybody really happy on the set too.
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I'd really like to work with Gwen Stefani and Cee Lo.
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I don't believe in a lot of schmoozing and buttering up. Not that you don't become friends in work. But I think it's a misconception that you have to do a lot of hanging before you work.
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In America, people buy cars, and they put very little money down. They get a car, and they go to work. The work pays them a salary; the salary allows them to pay for the car over time. The car pays for itself.
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Above and beyond drawing my creations, I try to incorporate some kind of message. I try not to end as merely a question but try to provide a conclusion within the work.
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I'm quite adept at writing two or sometimes even three stories at once. So if I get stuck on one story, I switch the next and let my subconscious work on unraveling any plot problems from another story.
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The drills we do, where you're telling kids to memorize things, don't actually work. What works is engaging them and letting them do things and discover things.
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I have a tough time with stand-up because I am an improviser. I can riff; I can do crowd work, so I don't prepare.
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I really do feel now that the way I dress onstage and for work is a true reflection of my own sense of style as well.
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Players need to come in and not take the opportunity for granted and really work hard at the game and make sure it's a team game, it's not a selfish thing. If players have those qualities - they work hard, they're selfless, they put the team before them - I have no issues with them.
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Lazy people are always anxious to be doing something.
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If you look at the top 100 players, you would see that the great majority of them have had at least a couple of surgeries. That tells me that we have to protect the players.
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I have a fantastic studio in my home, and it's my biggest toy. I have about a half a million dollars worth of musical equipment in my house.
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Telling purposeful stories is interactive. It's not a monolog. Ultimately, purposeful tellers must surrender control of their stories, creating a gap for the listener(s) to willingly cross in order to take ownership. Only when the listener(s) own the tellers' story and make it theirs, will they virally market it.
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I joined the Actors Studio and began to work with Lee Strasberg, and that changed my work.
