Walter Becker Quotes
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It wouldn't bother me at all not to play on my own album.
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I can never believe how much time and energy and money and talent and everything else is being poured into horrible ideas.
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The perfect day for me is waking up and having a cup of tea with my kids before I drive them to school; Then, I go into the studio and try and write some music for three or four hours and give up about noon.
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We play rock & roll, but we swing when we play. We want that ongoing flow, that lightness, that forward rush of jazz.
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I have a feeling there were many, many successful rock duos that just didn't get attention. That's the fault of the rock press. They are always playing up controversy, scandal, aggravation, and irritation.
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When you're collaborating with somebody, there has to be a spirit of cooperation. There are a lot of times when you just can't persuade someone to write a certain type of song, either musically or lyrically.
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Given a choice between Charlie Mingus and Eric Dolphy or Joe Strummer and Lou Reed, there was no choice. I like Reed and Strummer, but it's kiddie music.
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In the '70s, my playing was completely untutored, but it sounded good to me, and I tried to find ways to make those very simple things work in more ambitious contexts.
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My primary influences were the best jazz players from the 50's and 60's and later some of the pop people from the same time period along with the better of the well known blues musicians.
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If you're playing in a room that holds 15,000 people, it's just a question of how bad the room acoustics are and in what way they're bad.
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It seemed like the more complex the music we were playing, the less able we were to guarantee its consistency.
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I'm glad we turned into a big-time touring band later in life. In fact, it's almost like we planned it out that way.
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Going out and looking for managers is like going out and looking for rattlesnakes.
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That's sort of what we wanted to do: conquer from the margins, sort of find our place in the middle based on the fact that we were creatures of the margin and of alienation.
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In the '70s... there were rock players, and there were jazz players.
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I thought Twitter was a joke. I really thought it was a gag. I thought it was like National Lampoon or the Onion.
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Our career had a sort of funny shape.
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We are constantly competing with the monsters from the id.
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I don't particularly like L.A.
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Rock music is being systematically merged with fashion.
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All our wives are experimental psychologists.
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I think every time, before we do an album, we have a discussion where we sort of consider the idea of doing something radically different.
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Most of our songs are about relationships.
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It's a mystery to me why everybody doesn't love jazz. I've never been able to figure that out.