Walter Becker Quotes
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Rock music is being systematically merged with fashion.
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All our wives are experimental psychologists.
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If there's a strange way to do something, I would certainly like to know about it. I feel that I owe that to my public.
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The more of what our music does violates the premise of its format that it's presented in, the better. So, hearing our music in the supermarket, a Muzak version, is great.
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I think every time, before we do an album, we have a discussion where we sort of consider the idea of doing something radically different.
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It's great fun to play with a really good band.
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'Deacon Blues' was special for me. It's the only time I remember mixing a record all day and, when the mix was done, feeling like I wanted to hear it over and over again. It was the comprehensive sound of the thing: the song itself, its character, the way the instruments sounded, and the way Tom Scott's tight horn arrangement fit in.
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When the first album came out and I heard 'Do It Again' on the radio, that was the greatest thing that had ever happened. After that, it was all downhill.
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It's good - it's great when somebody who is 20 years younger than you comes up and says, 'Wow, we just got turned on to you guys, and you're really great,' or something like that. I like that.
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There's a great freedom in writing by yourself. You can write anything you want.
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We opened for the Kinks, the Beach Boys, the Guess Who, Chuck Berry, Sha Na Na. We opened for Cheech and Chong - I opened for Cheech, and Don opened for Chong.
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When you start to work with someone, there's a negotiation that takes place involving what's going to happen when you have a difference of opinion. Most attempts at collaboration never survive the negotiation. Merely being agreeable is not enough.
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We try to write things that work on a variety of levels at the same time: A sleek exterior with a turbulent lyric.
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We fly to the town in the little private airplane, and then we have to get in cars and drive to the hotel and then drive to the gig. So, I want to do a tour where the performances will actually be at the small airports.
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I spent a couple of years not doing any music or anything, just here in Hawaii trying to get healthy and adjust to the new regimen I was setting up for myself.
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Let's face it, us '60s folks had pretty high expectations.
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It's a mystery to me why everybody doesn't love jazz. I've never been able to figure that out.
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I learned a lot from the various artists I produced. Either you see them doing something that you do want to do it, or you see them doing something the way you don't want to do it.
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You can't always count on the devices, attitudes, and conceits that stood you in good stead in 1972 or 1973, or 1978-79, to still have the same impact all these years later.
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Most of our songs are about relationships.
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We've been allowed to operate unmolested on the fringes of the music scene, really. That's where we enjoy it most.
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I always look for the weirdest note to land on. I felt that that was the least I could do for the great musical traditions which I've spawned.
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I listen to a mixture of old jazz, contemporary, pop, some world beat stuff and various odds and ends.
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There was a film called 'FM,' and we were asked to do the title song. And I said, 'Does it have to have any specific words?' And they said, 'No, it just has to be about FM radio.' It took a day or two to write.