Album Quotes
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If I can put on my album in a car or on my headphones and listen to the whole thing and love it, that's what I'm going to be happy putting out there.
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When I was growing up, I would listen to a different album almost every night. I would do the full album experience before I went to bed and that's how I would discover a lot of music. I would kind of go into another world with my headphones on.
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I remember, when I was younger, it was such a big fantasy for me. Now that I actually have a career and have made an album, it's really surreal.
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Her album is very much what she wanted to say, and it's funny going through the process with her and knowing what these songs are about and watching her mature into what she is now an artist as opposed to an 'American Idol' winner, ... That was probably the most fun I've had on a session. She was so much fun and very laid-back, but very sincere.
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When you're on your fifth album, you are going to be judged against all your previous work and expectations.
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I grew up in an age where I loved going and buying a physical record. Things that were digital and all that stuff, it wasn't around. So I loved going and buying an album and looking through the inserts and reading stuff and seeing pictures.
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AC/DC is a prime example of taking that blues rock thing and just living in that world. They only really move the furniture around a little on each album, but it still works.
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Then the album created a tremendous furor and got me kicked off Christian television for two months, and then restored after they settled down and listened to the music and realized there was nothing wrong with it.
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I thought, 'you're on tour leading a crazy life right now, but you've just asked me to make an album and I'm going to hold you to that'. He was really encouraging, which is nice because I doubt myself often.
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I think the work is always personal. This album differs. It seems to be a lot more positive. It seems to have a certain amount of optimism about it.
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Everyone always tells you about how amazing recording their first album was and how they'll always look back on the 'process' with fond memories. I will look back on it as an extremely stressful time that somehow also managed to be extremely boring.
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The Dark Side of the Moon is a fine album with a textural and conceptual richness that not only invites, but demands involvement. There is a certain grandeur.
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The first artist whose music I really got into was Paolo Nutini. When his album 'Sunny Side Up' came out, I think I listened to it on repeat for, like, six months.
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I don't tend to have a favorite album; I tend to have favorite tracks. There are flaws in every album that spoil it for me.
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The idea of putting out an album is quite exciting because it's sharing your creativity with people. There's no ambition to be famous. I couldn't care less about that.
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I decided I was going to be the first producer to have a manager. And those songs became the background of the first Project album.
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Probably. When we got together and started throwing around the ideas, I just started bringing out some old riffs I used to play. 'Guarded' and 'Decadence' are pretty much straight-up, aggressive tracks on the album. Those were the first two ideas I had come up with. That set the tone right off the bat of it being a little bit more aggressive at times. Out of 19 songs that we tracked 14 going on the album that's a lot of material. We try to give every song its own identity. We don't want to fall in the rut of being a repetitious-sounding band. We don't want every song to sound like 'Down with the Sickness' or 'Prayer' . It's got to be a creative mood. It's got to be its own thing.
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If I'd known white people were going to buy my last album, I never would have recorded it.
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It would be really nice to be able to put out releases that wouldn't be conditional upon an album format, and just put out music in different ways.
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The words that I'm most happy with are the ones that come from my subconscious rather than my conscious. They just feel right. I think that's the same with music, really. If you're doing an album, there's ten or eleven sets of lyrics, so you get to the point of inspiration ten or eleven times - it's difficult.
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Well put it this way. Compared to the Razorlight album, (Bob) Dylan is making the chips. I’m drinking Champagne.
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I was writing before I met Rick and actually I created the band before Rick Finch. Basically, the first album, I wrote. Who's to say what would've happened? Rick was very talented too.
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Our first album was a stupid mistake by the record company. They tried to sell us as an alternative act. A big mistake!
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It was so simple in the old days. You put out an album, people promoted it, it got in the charts, and you had a hit.
