Marina Tsvetaeva Quotes
Quotes to Explore
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I can work in films as long as the story doesn't have a realistic nature. If I'm working with an allegory, a fantasy, it can be developed in synthetic terms.
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Though we may know Him by a thousand names, He is one and the same to us all.
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I always knew I would make the record that I made in 'Carter Girl.'
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When you can score three goals without the most prolific scorer in the world, you know you have a lot of depth, and it gives you confidence.
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And it seems to me in that experience may lie at least some of the clues for policy development perhaps constitutional changes as well that Labour will need to make at the national level too.
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That's always the trick with the sequels, is how much do you repeat from the first one. Because we all get bummed out when you go see a sequel and it's beat for beat.
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I created something that became a phenomenon without becoming a prisoner to it.
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Nobody should be sent indefinitely into detention; everybody should have their day in court.
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Our best thoughts come from others.
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I feel very grateful to be alive and well enough to make music.
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I'm a bit of a magpie: whatever I see or hear or read feeds into the songs.
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I don't think anything I've written has been done in under six or eight drafts. Usually it takes me a few years to write a book. 'World's Fair' was an exception. It seemed to be a particularly fluent book as it came. I did it in seven months. I think what happened in that case is that God gave me a bonus book.
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There was this cereal, and it had a special promotion with a CD inside the box that had a really simple music-making program on it. I got it, and that opened my mind to being able to make music on a computer and seeing all the different layers.
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Like most of those who study history, he (Napoleon III) learned from the mistakes of the past how to make new ones.
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I hate to repeat lines, to say the same damned thing. I try to rewrite cliches and make what I say sound fresh.
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When I was a child, I was one of the kids who wore black all the time, and when the kids asked me why I wore black, I said things like, 'I'm mourning the death of modern society.' I mean, I was a riot.
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The safest and most suitable form of penance seems to be that which causes pain in the flesh but does not penetrate to the bones, that is, which causes suffering but not sickness.
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I'm really interested in playing my age.
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When I was a teenager, I wanted to be a portrait painter. As I got to be older, I realized that as a portrait painter I wouldn't be able to support a goldfish.
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In your thirst for knowledge, be sure not to drown in all the information.
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I remember kickboxing and traveling the world when I was young. I would go to Japan or Africa, and I would go for the experience. As soon as I got off the plane, we'd go have a good time, party. Fighting was just the outlet of what I was doing there.
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I realized that the people I want to impress most are already in my band. If I just do my best and try to write great songs and then collaborate with these guys and try to make a great record, that's my best path to success.
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In France the music schools are a bit old fashioned. I was more excited about doing my own stuff or to play with my friend in my band, than studying the piano.
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For the spell is older than experience. For the tale is older than the record.
