Maggie Stiefvater Quotes
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'You guys have a death list?' Ronan broke in. 'That is fucking dark. Am I on it?''Some days, I wish,' Blue said.
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If I were a tree, I would have no reason to love a human.
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I feel like I have so many stories basting in my mind, and they come busting out when they're ready.
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I would like to say that I was inspired to write 'Shiver' by some overwhelming belief in true love, but here's my true confession: I wrote 'Shiver' because I like to make people cry.
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I do all of my good thinking at over 65 miles per hour. The speed limit is, luckily, the same speed as my brainstorming speed.
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'I am being perfectly fucking civil.'
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I focus on the elements of a movie that are meant to invisibly affect me as a viewer. The edges. As an author, I'm aware of how the subconscious things can pluck at a reader's emotions, and I love it when filmmakers do the same.
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'Misty of Chincoteague', 'The Black Stallion', the 'Saddle Club' books, I read 'em all. I was horse-crazy.
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One of the things that I really like about young adult fiction is that you can explore the relationships between teens and their parents. I definitely think that teens are a product of their parents. You either end up just like them or you consciously make the decision to be unlike them.
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As you learn who you are, you can better surround yourself with friends who make you a better person, and that sometimes only happens when you disassemble old relationships.
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He was brother to a liar and brother to an angel, son of a dream and son of a dreamer.
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In the end, you have to write like you're not afraid of the critics.
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When I was a child, I was one of the kids who wore black all the time, and when the kids asked me why I wore black, I said things like, 'I'm mourning the death of modern society.' I mean, I was a riot.
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The biggest mistake you can make is assuming that creativity will hit you all at once and the muse will carry you to the end of the book on feather wings while 'Foster the People' plays gently in the background. Storytelling is work. Pleasurable work, usually, but it is work.
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I picture my books as movies when I get stuck, and when I'm working on a new idea, the first thing I do is hit theaters to work out pacing and mood.
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I really love nature. I grew up in the country. But one of the things about nature is that it is beautiful but it's also very dangerous.
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When I was a teen, I thought I would have to choose between my writing or my music or my art, but it turns out it's a difficult juggling game but I can do all of them.
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The big thing in my family growing up is that everybody had to play a musical instrument. We were like the von Trapps.
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In a culture defined by shades of gray, I think the absolute black and white choices in dark young adult novels are incredibly satisfying for readers.
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I don't think I could ever give up music. It's what makes me tick. If there was no music, there would be no writing.
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'I guess I make things that need energy stronger. I'm like a walking battery.' 'You're the table everyone wants at Starbucks,' Gansey mused as he began to walk again. Blue blinked. 'What?' Over his shoulder, Gansey said, 'Next to the wall plug.'
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Dying's a boring side effect.
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She seemed to have neither sense of fullness nor taste, and would often combine foods in manners that struck Blue as problematic. She didn't believe in telling people how to live their lives (well, maybe a little), but it was hard to stand by and watch Gwenllian spread peanut butter on a cold hot dog.
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Aglionby Academy was the number one reason Blue had developed her two rules: One, stay away from boys because they were trouble. And two, stay away from Aglionby boys, because they were bastards.