David Grubbs Quotes
Chance in music doesn't have to involve the I Ching or rolling dice or throwing yarrow stalks. It can involve an out-of-tune guitar, or other impossible-to-replicate moments of awkwardness - even more so than an awkward, out-of-tune live performance, because there's something incredible about the way that an out-of-tune guitar becomes part of the song on a record. I won't be precious and say it's part of the composition - that's nonsensica l - but chance occurrences are so crucial to what's distinctive. It's the fingerprints all over so many of these recordings.
Quotes to Explore
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Mankind can be very magnanimous, given the chance.
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Any time you can give consumers more of what they want, it's a good thing. Unbundling the album is a good thing. In the case of music - because it is content that you can slice into songs - doing that is of huge benefit to consumers.
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I always dreamed of being Maria in The Sound of Music.
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I see my fans as music lovers. I really love that. There's no age group or demographic. It's people of all ages and backgrounds. Country people and non-country people. I wanted to make music across the board.
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I really believed that my songs were good enough for the whole world to listen to. I had fans from America or the U.K. who would be like, 'Oh my God, I love your music'.
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Young kids should be doing music that has shock value. They'll grow out of it.
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I like being 35, I like having a bit of money to spend on music and useless gadgets. The net is providing new ways to communicate and cooperate that just didn't exist in the 80s.
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From the stage, I can reach a large audience, and you learn from being on stage how much a song reaches, what extent of the crowd a song can reach. I write in a way that can reach most of the audience, but I also wanted to have truly intimate moments as well, many intimate moments, more so than the big moments.
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Today, music is great for entertainment, but it is lacking soul; it's lacking substance, and it's difficult to find good stuff. There are too many corporate interests. It's not about the actual music because it's about the corporation, and music just becomes part of a package.
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I love music and I love musicians and when I hear something that's great, I always say it's like you go to a movie and you can't wait to tell your friends about it.
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Music enables me to cleanse and shed the things that I feel are holding me back from growing, or growing up.
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I quite like to sing, actually - just belting out numbers with my guitar. I find that it's a form of tranquility.
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We feel more and more intensely about the music we make. It's unexpected, and not always what you would think of in Beach House. It's all art in the end. We aren't making records because we have to; it's because it's what we want to express.
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I may quit the music business someday, but never the music.
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People make music to get a reaction. Music is communication.
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Reviewers are entitled to say if they liked the screenplay, performance, and execution of a film or not. But when they say things like the film doesn't cater to a certain audience, it leaves people wondering if they should watch it.
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If our kids want to do music, they are going to have to have a hard row to hoe just like any other band under the sun, and they're going to have to want it more than anyone else.
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The way I see it, if people truly love my music, they will support me in some way down the road.
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These seem to me so ambiguous, so vague, so easily misunderstood in comparison to genuine music, which fills the soul with a thousand things better than words.
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Out of all the artistic things I do, music is the most rewarding because it's so hard to write songs.
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Performance of one's duties should be independent of public opinion.
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Silence gives consent.
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There's no one quite like William - I bet he's really kind. You can just tell by looking at him.
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Chance in music doesn't have to involve the I Ching or rolling dice or throwing yarrow stalks. It can involve an out-of-tune guitar, or other impossible-to-replicate moments of awkwardness - even more so than an awkward, out-of-tune live performance, because there's something incredible about the way that an out-of-tune guitar becomes part of the song on a record. I won't be precious and say it's part of the composition - that's nonsensica l - but chance occurrences are so crucial to what's distinctive. It's the fingerprints all over so many of these recordings.
