Bernard Parmegiani Quotes
When listening to the sound material, we metamorphose the inside into an outside. This notion of metamorphosis is one of the principles that leads the course of the musical suite, reflecting changes (fluidsolid passages: water/ice/fire) or movements (ebb/flow/wave, inspiration/expiration) or inside-outside passages (door/individual/crowd). Thus, the perceived object is not entirely what we would have liked it to be. Our music brings us closer to some while it takes us away from others: each with their own inside.
Quotes to Explore
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It's a luxury to not have to just be performing with other people to have my music heard.
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Music was a way of rebelling against the whole rah-rah high school thing.
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I worked as a head cook at courthouses and high schools. I left it behind when I started getting into my music real heavy.
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I am a friend when I need to be a friend, a father when I need to be a father, a musician when music calls. I switch roles accordingly.
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Each time I seem to go through one of life's huge things, I want to play music.
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As a teenager I had friends who had little music studios in their bedrooms and garages. I'd go and play around; very soon, my hobby became a passion.
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Music is an art that touches the depth of human existence; an art of sounds that crosses all borders.
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We always make music and continue to make hits.
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If I could never work again and I could just listen to music and walk, I'd be very, very happy.
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I'm a pretty easygoing person, and it bleeds into the music. Even if I'm writing the most personal song, it's not going to come out totally serious; there's always a little tongue in the cheek.
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Although I enjoyed writing Film Music it was always a means to an end, in that it enabled me to keep a wife and family and write my classical music, which has always been my passion.
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I am very honored and excited to have 'Devotion' released as the first DVD Audio disc... surround sound is amazing... The music comes alive and is so vibrant - it's unlike anything you've ever heard before!
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I've been a big Bob Marley fan forever. Forever. Like big, huge. Bob Marley and the Beatles, that's my big, giant music influence. I can listen to them all the time.
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Music is where I have the most creative freedom, but I love producing. To me, that's kind of where all the action is. You get a chance to have your hands in every aspect of a film. From picking a director, sometimes picking a writer, to the actors, the wardrobe, set design, editing, music, and marketing.
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When I was young, people were almost identified solely by the kind of music they liked. People fell into categories of who liked what.
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When I was driving home after registration, I heard this song on the radio, a guy singing about not ever going to class in college and always hanging out and singing for his friends. I laughed and said, I can relate, because it was so much like me. I realized right then I would pull out of school and pursue a music career.
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I'm not very good at picking stuff up off the radio. It takes me way too long to learn other people's music.
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My mother insisted that I pursue music. I rented out my father's musical equipment and earned some money. As a child, I wasn't sure about a career goal, but I was always fascinated by electronic gadgets, specially musical equipment.
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Nothing makes me laugh more than farting.
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How incessant and great are the ills with which a prolonged old age is replete.
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It's important for my kids to see our family strong and united.
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I've never met Eminem; you don't meet Eminem. He has his own secret service.
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It just sort of suggested a very specific kind of impudence like this little-man syndrome. Chucky has this Napoleon complex. He's a little guy with a lot of rage and that really pointed us in the direction of exploiting that aspect of his character, which people always seem to enjoy.
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When listening to the sound material, we metamorphose the inside into an outside. This notion of metamorphosis is one of the principles that leads the course of the musical suite, reflecting changes (fluidsolid passages: water/ice/fire) or movements (ebb/flow/wave, inspiration/expiration) or inside-outside passages (door/individual/crowd). Thus, the perceived object is not entirely what we would have liked it to be. Our music brings us closer to some while it takes us away from others: each with their own inside.
