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Undeniably, I'm a country singer; I'm a country songwriter. But I feel like I make country music for people who like country music and for people who don't.
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I see my fans as music lovers. I really love that. There's no age group or demographic. It's people of all ages and backgrounds. Country people and non-country people. I wanted to make music across the board.
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I love vintage cowboy boots, and some days I'm into platform stilettos encrusted in jewels. It's really all over the place.
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I wrote my first song when I was nine, and it was called 'Notice Me'. My Mom still has the piece of paper around somewhere, but I can't even imagine how terrible it is.
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Of course I get angry, but I want to use my brain a little bit and not just smash things.
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I think a great song appeals to older and younger people and it makes you think. It's also honest, and it also doesn't hurt if it's fun to sing along to.
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I used to love, and I still do, Lee Ann Womack. And Alison Krauss. I mean, how many Grammys does she have? She's just remained solid and true and great, and I respect that.
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I did tennis for a while, and I was actually on the volleyball team for a minute.
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A lot of times, I'm singing things that are observational and am definitely including myself.
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I wouldn't ever do a radio edit because I feel like it would totally go against the point of 'Follow Your Arrow.' I just think you're going to like it or not like it.
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I needed to really pursue music and learn what I needed to learn on my own by getting in and doing it, not by reading a book about it.
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My parents aren't crazy conservative. They're actually pretty open-minded. But my grandparents are, and where I'm from, East Texas, is the Bible Belt.
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Fame freaks me out. Do you just wake up different? I don't know how to scale it back if it gets too crazy.
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I think if you're everyone's cup of tea, that probably means you're a little bit boring, or you're not pushing yourself. Creativity happens where it's dangerous and scary: where you're not comfortable.
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Lee Ann Womack is from near where I grew up in East Texas, so I've always looked up to her. I sang a lot of Dolly Parton as a kid and a lot of traditional western swing, like Patsy Cline and Roy Rogers.
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My parents have always had a great sense of humor. And I really appreciate good humor in songs, witty lyrics that sneak up on you and then you listen again, and say: 'That's so funny.' John Prine's songs have always had this really witty tone.
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It's weird, because the ideas in my songs aren't controversial to me. I feel like I should be able to sing about anything.
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I love Lee Ann Womack and John Prine. That's kind of my ideal cross point. If I can sing it like Lee Ann would and say it like John would, then I feel like I've gotten somewhere.
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Loretta Lynn was one of those ladies a long time ago that opened a lot of doors and paved the way for a lot of ballsy singer-songwriters who weren't just cute.
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In the beginning, I wrote OK songs, but they didn't have a unique perspective.
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I didn't necessarily grow up in a trailer park, but there is a brief part of that in my life. So I can make fun of it a little bit. I'm not too much of an outsider, where I'm just making fun of someone.
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I don't push buttons to push buttons. Throwing the rebel card out there is really cheap.
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Look at Loretta Lynn. Look at Jeannie C. Rily singing 'Harper Valley PTA' and Tammy Wynette singing about divorce. They were ahead of their times in a lot of ways.
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A label's typical plan would be to put something out that's safer and get fans, and then push buttons, but my idea is to push buttons first, scare off the people who are gonna be scared off, and then the right people will like you for who you really are, and stay with you.