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I wrote my first song when I was nine, and it was called 'Notice Me'. My Mom still has the piece of paper around somewhere, but I can't even imagine how terrible it is.
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Undeniably, I'm a country singer; I'm a country songwriter. But I feel like I make country music for people who like country music and for people who don't.
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Of course I get angry, but I want to use my brain a little bit and not just smash things.
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I see my fans as music lovers. I really love that. There's no age group or demographic. It's people of all ages and backgrounds. Country people and non-country people. I wanted to make music across the board.
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I did tennis for a while, and I was actually on the volleyball team for a minute.
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I love vintage cowboy boots, and some days I'm into platform stilettos encrusted in jewels. It's really all over the place.
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I used to love, and I still do, Lee Ann Womack. And Alison Krauss. I mean, how many Grammys does she have? She's just remained solid and true and great, and I respect that.
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I wouldn't ever do a radio edit because I feel like it would totally go against the point of 'Follow Your Arrow.' I just think you're going to like it or not like it.
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Fame freaks me out. Do you just wake up different? I don't know how to scale it back if it gets too crazy.
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I needed to really pursue music and learn what I needed to learn on my own by getting in and doing it, not by reading a book about it.
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My parents have always had a great sense of humor. And I really appreciate good humor in songs, witty lyrics that sneak up on you and then you listen again, and say: 'That's so funny.' John Prine's songs have always had this really witty tone.
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Lee Ann Womack is from near where I grew up in East Texas, so I've always looked up to her. I sang a lot of Dolly Parton as a kid and a lot of traditional western swing, like Patsy Cline and Roy Rogers.
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My parents aren't crazy conservative. They're actually pretty open-minded. But my grandparents are, and where I'm from, East Texas, is the Bible Belt.
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I think if you're everyone's cup of tea, that probably means you're a little bit boring, or you're not pushing yourself. Creativity happens where it's dangerous and scary: where you're not comfortable.
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A lot of times, I'm singing things that are observational and am definitely including myself.
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I love Lee Ann Womack and John Prine. That's kind of my ideal cross point. If I can sing it like Lee Ann would and say it like John would, then I feel like I've gotten somewhere.
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In the beginning, I wrote OK songs, but they didn't have a unique perspective.
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I didn't necessarily grow up in a trailer park, but there is a brief part of that in my life. So I can make fun of it a little bit. I'm not too much of an outsider, where I'm just making fun of someone.
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Loretta Lynn was one of those ladies a long time ago that opened a lot of doors and paved the way for a lot of ballsy singer-songwriters who weren't just cute.
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I don't push buttons to push buttons. Throwing the rebel card out there is really cheap.
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My fans are pretty spot-on with their gifts. This girl that was super into baking had made this entire batch of cookies - there were one with a dandelion on it, one with a trailer, and some had my face.
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Different people have different ways of doing things. For me, becoming a songwriter first and falling in love with the Nashville songwriting community and the process of songs and getting better and putting more in what I wanted to say, was absolutely vital in me even wanting to be an artist.
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Look at Loretta Lynn. Look at Jeannie C. Rily singing 'Harper Valley PTA' and Tammy Wynette singing about divorce. They were ahead of their times in a lot of ways.
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A label's typical plan would be to put something out that's safer and get fans, and then push buttons, but my idea is to push buttons first, scare off the people who are gonna be scared off, and then the right people will like you for who you really are, and stay with you.