Kacey Musgraves (Kacey Lee Musgraves) Quotes
Fame freaks me out. Do you just wake up different? I don't know how to scale it back if it gets too crazy.
Quotes to Explore
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With the Jews, the questions are always open; we're always questioning. I love that questioning tradition.
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Even in this globalised world, London is still the standard for our times. The city has embraced the world's diversity and represents the finest in human achievements.
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When all are wrong, everyone is right.
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I've got a great staff and great support system, and I'm going to stick my neck out and do what I always do.
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I've struggled with depression before. For me, music was always a very positive way to will myself out of that situation.
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What inspired me to become an author? I think it was the snow in New York. I looked out the window and I said, 'Well, I have to get dressed every morning to go to teach, but if I write a book, I can stay home in my bathrobe, eat candy corn.'
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I'd love to do a movie where I actually get to be kind of quirky and odd and dorky and all that stuff. My parents would like to see some movies where I'm not in peril. They'd appreciate it.
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I believe in aging gracefully.
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I think people really marry far too much; it is such a lottery after all, and for a poor woman a very doubtful happiness.
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Everybody is improving but I am improving slowly, which seemingly widens our distance.
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Love is the flower of life, and blossoms unexpectedly and without law, and must be plucked where it is found, and enjoyed for the brief hour of its duration.
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America isn't Congress. America isn't Washington. America is the striving immigrant who starts a business, or the mom who works two low-wage jobs to give her kid a better life. America is the union leader and the CEO who put aside their differences to make the economy stronger.
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With the rights now in our loving hands, I'm beyond excited to bring 'The Green Hornet' into the 21st century in a meaningful and relevant way: modernizing it and making it accessible to a whole new generation. My intention is to bring a gravitas to 'The Green Hornet' that wipes away the camp and kitsch of the previous iteration.
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I've been designing since I was 8. I started sketching dresses I could wear when skating. I was always involved in all aspects of skating, not just the technique, the choreography, the music, but the visual aspects, too - what I should wear.
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God does arithmetic.
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But what I really like are old Hollywood movies. Very often I watch AMC.
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The song 'Innocent' is a song that I wrote about something that really, really emotionally impacted me.
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Before I started doing the film and when I found out I was going to be doing it, I just decided to pump up on the whole cardio stuff. Just in terms of stamina.
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I have about 40 cars, of which 25 to 30 are what you might call serious.
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When you make a book or you make a movie, it is almost like hitting on somebody. It's not because you want to seduce people that you will seduce them; you can hit on somebody and it doesn't work. But when you hit on them and it works, then it's really cool.
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'The 100' gave me this platform I never expected. I didn't expect the character to become anything. I was originally only signed up to do six episodes, and then it just sort of become this whole story and journey, which was an amazing character, a great journey, so that has been incredible, and I didn't expect anything out of it.
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I keep an elaborate calendar for my characters detailing on which dates everything happens. I'm constantly revising this as I go along. It gives me the freedom to intricately plot my story, knowing it will at least hold up on a timeline.
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Fame freaks me out. Do you just wake up different? I don't know how to scale it back if it gets too crazy.
