Fleetwood Mac Quotes
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When you grow up as a girl, the world tells you the things that you are supposed to be: emotional, loving, beautiful, wanted. And then when you are those things, the world tells you they are inferior: illogical, weak, vain, empty.
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Your graciousness is what carries you. It isn't how old you are, how young you are, how beautiful you are, or how short your skirt is. What it is, is what comes out of your heart. If you are gracious, you have won the game.
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....the sea changes color, but the sea does not change.
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I was actually qualified to be an art teacher, but I didn't want to teach.
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I dont separate my work with the band from this solo project-Im sure the group could have recorded any of these, and they would have if the Fleetwood Mac project had come up at this time. I dont have any finished songs lying around.
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The old Fleetwood Mac was much better; they did some beautiful and, to my mind, very authentic blues. Chicken Shack did pretty well in Europe, but after I left, it was over.
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It was my 16th birthday-my mom and dad gave me my Goya classical guitar that day. I sat down, wrote this song, and I just knew that that was the only thing I could ever really do-write songs and sing them to people. Everything on this record is what I really wanted to say, and I'm back to being the poet I always thought I was.
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I'm rather old-fashioned about this video business. It's all relatively new. We really don't do videos, Fleetwood Mac. We've only done two.
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When I thought I was dying in rehab in 1994, 'I Won't back Down' was my mantra. It lifted my up out of the pain and made me fight through it. 'The Waiting'... summed up my life. We can't stand waiting, we rock 'n' roll men and women. Tom Petty's songs are like a great book that you revisit when you need help. His songs make me better.
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Love is a word that some entertain. If you find it you have won the game.
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I haven't lost my blues roots.
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My life is a testament to believing that if you want something you can make it happen.
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I bought a house in England in 1990, shortly after my father died, hoping to come home to England and spend time with my family.
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By the time I was five, I was a little diva.
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When you're in the same band as somebody, you're seeing them almost more than 24 hours a day. You start to see an awful lot of the bad side 'cause touring is no easy thing.
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I suffered from some delusion that I wanted to be an English country girl, a Sloane Ranger donning the old Hunter boots and Barbour jacket to slosh around in mud with the Range Rover.
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'Mirage' was an attempt to get back into the flow that 'Rumours' had. But we missed a vital ingredient. That was the passion.
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Schlepping around from city to city is nothing I want to do.
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Time cast a spell on you but you won't forget me, I know I could have loved you, but you would not let me. I'll follow you down 'til the sound of my voice will haunt you, you'll never get away from the sound of the woman that loves you.
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I'm not a witch, I just like Halloween, and I thought that blondes look skinnier in black.
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There's a whole bunch of unfinished stuff. Then I've got books of lyrics. I find it frustrating to finish a song and not be able to record it... so I don't write a million songs.
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I felt very at home in California, but the place is prone to earthquakes, and the one in 1994 scared the life out of me. For months afterwards, I felt that every time I sat down, I should have put on a seatbelt.
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My writing ability all stems from the blues.
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I was in Tower Records in San Francisco a few weeks ago, buying some cassettes, and a couple of people recognized me and ran up with albums, and I just wanted to cover my face and have a seizure or something. I want people to just go away.