Fleetwood Mac Quotes
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I'm doing lots of interviews and stuff. I'm longing for the days of getting up, not having to put on makeup and do my hair and just going to the studio.
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That's not going to happen, because I don't want it to happen. I don't want a movie about me until I'm very, very old - when I'm very, very old, everybody that wants to play me will be middle-aged.
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If the sun warms up the rain, and the rain puts out the sun. Why does the greatest love become the greatest pain?
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I think there's a reason to go off and do something and experiment - splinter off and do something different. It keeps the nucleus of Fleetwood Mac fresh.
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I keep fit, I work out, I eat pretty damn well, I don't drink like a fish, and all of those things are tempered with a holistic mind-set that you need to damn well respect the vehicle that you're walking around in.
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I was by no means a nun.
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The rock n' roll lifestyle did have its perks, but it wasn't all limos and parties in the early days.
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I don't like that scaring feeling and I watch the news every day because of it. It's going to be hard to fix all of these problems that seem absolutely unfixable to me.
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There are days when I swear I could fly like an eagle And dark desperate hours that nobody sees My arms stretched triumphant on top of the mountain My head in my hands down on my knees
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There is always magic to be summoned at any point. I love to live in a world of magic, but not a fake world of magic. We all really basically have a lot of magic... It’s only those of us who choose to accept it, that really understand it. It’s there for everyone. That’s the only thing that I feel I am able to give to people and that’s why I know that they respond to me because I try to give them only their own magic... not mine, but theirs.
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I did make a solo album in my house when I was there. And because I was just afraid of flying, I wouldn't promote it, and I wouldn't tour. Actually, it wasn't a very good album anyway - it got buried underneath the pits of Hell, I suppose.
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Fleetwood Mac always take a long time to make a record - you know what.
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I actually enjoyed making 'Tango In The Night.'
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For 70 nights, right across America, I've been getting out there with two ex-lovers and we've been playing songs which are so specific about each of us, you just wouldn't know. We're friends now but we can't forget what happened between us.
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I've always liked long, flowing clothes,...I used to rummage around in my grandmother's trunks trying to find them. I love the feeling of chiffon and lace.
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In comparison to the eight years I spent on Klonopin, the cocaine and brandy wins hands down. If you are ever in a drugstore and they put you on Klonopin, run out of there screaming.
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No matter what - rehearsed, under-rehearsed, over-rehearsed, doubts about rehearsing - the first gig is always the first gig, and you put on your little praying hat, batten down the hatch, and do what you do.
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Everything is for the good in the end.
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In order to run a great business, you must know that a bunch of really intrinsically unhappy people, that's not a recipe for success. Don't be anywhere you don't need to be; it's just like that.
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I don't know what it is really... I think I'm just good with hooks.
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I wouldn't think a blues album would be that commercially successful, but I don't really care. I'd do it for the love of blues, not for the money. I've got plenty of money.
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So I think rather than being attracted so much now to working with my heroes, I'm sort of more attracted to working with completely unlikely strangers because it's more exciting really.
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It's the first time I can ever remember being scared that the United States might mess up and something terrible will happen to us.
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I really understand what that process is all about and how important it is, especially with young folk and creative folk that love looking for some platform that makes it easier for them to express themselves.
