Fleetwood Mac Quotes
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I have always needed other musicians to bounce off.
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If you were to ask me, 'What the hell does a musician have in common with a restaurant?' I would say a huge amount. It's show time every day, it's a team of people, like, running a circus, which is running a rock-and-roll band.
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Stop dragging my heart around.
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And the moon never beams Without bringing me dreams And the sun never shines But I see the bright eyes I lie down by the side Of my darling My life, my life.
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We fought very hard for feminism, for women's rights. What I'm seeing today is a very opposite thing. I don't know why, but I see women being put back in their place. And I hate it. We're losing all we worked so hard for.
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I'm doing lots of interviews and stuff. I'm longing for the days of getting up, not having to put on makeup and do my hair and just going to the studio.
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I actually enjoyed making 'Tango In The Night.'
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If the sun warms up the rain, and the rain puts out the sun. Why does the greatest love become the greatest pain?
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There is always magic to be summoned at any point. I love to live in a world of magic, but not a fake world of magic. We all really basically have a lot of magic... It’s only those of us who choose to accept it, that really understand it. It’s there for everyone. That’s the only thing that I feel I am able to give to people and that’s why I know that they respond to me because I try to give them only their own magic... not mine, but theirs.
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Most bands people have side projects and it's not considered a death threat as it was say, with The Beatles.
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I don't like that scaring feeling and I watch the news every day because of it. It's going to be hard to fix all of these problems that seem absolutely unfixable to me.
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I was very impressed with Hanson's performance. I thought that little drummer was a kick-ass drummer, and uh, that they sang great, I mean I didn't know either, y'know, that these little boys, y'know, I was very impressed. I think they'll probably be around in 20 years writing good songs, and being a great band.
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Everything is for the good in the end.
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I've always liked long, flowing clothes,...I used to rummage around in my grandmother's trunks trying to find them. I love the feeling of chiffon and lace.
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For 70 nights, right across America, I've been getting out there with two ex-lovers and we've been playing songs which are so specific about each of us, you just wouldn't know. We're friends now but we can't forget what happened between us.
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I wouldn't like to be in movies. Movie people are strange. They live a different life than musicians do.
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To me, the blues is an infection. I don't think it's necessarily a melancholy thing; the blues can be really positive and I think I think anyone and everyone can have a place for the blues. It need not always a woeful, sorrowful thing. It's more reflective; it reminds you to feel.
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If you can find a passion at a young age, somewhere between fifteen and thirty, if you can find that passion, I can pretty much guarantee you that you can be sixty-five and still love that passion and still have a reason to dance out of bed and down the hall every morning.
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In order to run a great business, you must know that a bunch of really intrinsically unhappy people, that's not a recipe for success. Don't be anywhere you don't need to be; it's just like that.
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In comparison to the eight years I spent on Klonopin, the cocaine and brandy wins hands down. If you are ever in a drugstore and they put you on Klonopin, run out of there screaming.
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I think there's a reason to go off and do something and experiment - splinter off and do something different. It keeps the nucleus of Fleetwood Mac fresh.
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I really understand what that process is all about and how important it is, especially with young folk and creative folk that love looking for some platform that makes it easier for them to express themselves.
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I look around at all the girl singers, and I think they're all my children... and they're all going to do this... And, yes, maybe I inspired them because I did get through a lot, and I did have the same problems that they're going to have. You do have to give up a lot for it.
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Recording 'Tusk' was quite absurd. The studio contract rider for refreshments was like a telephone directory.