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My mom is an elementary school gym teacher and a track and cross-country coach, so she really wanted me to be a runner. But I was not a runner. I was horrible at running.
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Since I was a little girl, I've collected ladybugs. Not real ones - I never had a weird ladybug farm!
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Sometimes in a big theatre, you have about, probably, six yards sometimes between you and the first person in the audience. It's almost like you've got to jump across a little pond to get there and then keep moving.
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I did clown training for months.
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I think no matter what you are going to pursue, if you pursue it like it's the most important thing, then everything else will be lost. And at the end of the day, when it's time to evaluate the path that you chose for your life, there has to be something more.
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I have always known mosquitoes love me, but they really love me in Central Park.
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This is magic - the people of Broadway. There's nothing better!
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The cast of 'The Big C' is such an amazing group of people. They're so joyful and just open their arms to you as an actor.
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My mom is a gym teacher, and she's not musically inclined, but she always wanted to help me out with music as best she could.
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In 'Kinky Boots,' I looked for moments to be bold, showing Lauren's gutsiness and smarts. She's a little bit kooky now, too, and I love me some kooky.
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It's very unusual to be playing something other than human.
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The older I get and the more iconic the piece, I believe that it's wise to watch a bit and become inspired and take moments that feel so connected to the story and also connected to me that I feel like I can make a part of my own performance.
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I'm really excited to share cabaret, the art form, not just with the generations that are above me, but also my generation and the generation under me. I think it's an art form that's incredibly important, and I think that my generation is a little unfamiliar with it.
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Theater was just what I was supposed to do.
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If you can change your mind, you can change the world!
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My first big show in Denver was 'Ruthless! The Musical.' I played Tina Denmark at the Theatre on Broadway. It was my big break!
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We actually found some home videos, some really funny footage of me when I was around 3 years old. I come up to the camera to do a Nixon impression. I don't know who taught me that, but I come up to the camera and said, 'I am not a crook.' I got a really good laugh. You see me register that bringing joy to people is a positive thing.
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I come from a family of educators.
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My go-go dancing was not your typical go-go dancing: I really was doing performance art. I would do dramatic, elaborate lyricals across the bar. I learned a lot, actually, as an artist during that time.
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As an actor, I always think that if someone does pick up a phone during a performance, something dire must be happening in their lives that is more important than theatre - some kind of tragedy they were attending to, or something. It's very uncomfortable if you don't know why they would pick up a phone and talk in the middle of a show.
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Donna Summer was one of the strongest female singers in pop music. She was very underrated as a vocalist and a writer, and her songbook is just outrageous.
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As an actor, you have times that are bustling, and then you have the quieter, slower times. I definitely had some of those.
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I came out of the womb singing, dancing, and telling awkward jokes.
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I grew up listening to cabaret. At 7 and 8 years old, I was already singing like a club performer.