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Most people are remarkably resilient. Even those who have been through war or great loss often find reservoirs of strength. But the legacy of trauma is a heavy burden to bear.
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For years I'd understood that publishing in paperback was the kiss of death.
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The twists and turns of your life can be so unexpected, and that's a good thing to learn.
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In my ideal world, my next novel would have a first printing of, say, 2,500 hardcovers for reviewers, libraries, collectors, and autograph hounds. The publisher could print more copies if they get low. And simultaneously, or six weeks later, the book would be available in paperback.
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I think fondly of the rabbit holes I disappeared down when I researched papers for history and English because I couldn't find quite what I was looking for, or because I had to go through so much material to find examples for my thesis.
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My mother was one of the most dynamic and brilliant women I have ever known. She was also mercurial and unfocused.
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Hardcovers will never completely disappear. They are delightful to hold; they feel weighty and substantial. But my anecdotal evidence suggests that the world is changing.
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Part of the reason I wanted to write a novel was that in fiction I could do something that's difficult to do in real life, which is to dwell on the stark details of the experience without really needing to create that narrative of redemption.