Christine Flores (Christina Milian) Quotes
F. Gary Gray, I think, is one of the best directors I've ever worked with in my life, and I'd love to work with him again.
Quotes to Explore
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I often will write a scene from three different points of view to find out which has the most tension and which way I'm able to conceal the information I'm trying to conceal. And that is, at the end of the day, what writing suspense is all about.
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What is politics? Political system is equal to development politics plus political politics.
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It wasn't until the first season ended that I went to my first Star Trek convention. It was in Denver. There were two and a half thousand people there.
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I never thought 'Stairway to Heaven' was a long song. I loved how there was this part and then there was another part that was completely different.
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The purpose of armed struggle is not simply to kill... its purpose is to reach a political goal.
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The ideas keep going, you have the material, you cut because there's a limit to the space allowed to you. And the space is limited because of some other constraints that have to do with money or printing or whatever.
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I'm the kind of person whose clothes are all hung up and color-coordinated, to the point where my whites don't touch my creams.
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You know something, if you're not acting, you're not an actor - you've gotta work. No way around it.
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You can say whatever you want about me, I'm not really bothered. But when it starts to upset people I care about or I hear about it from my mum, then that's a problem.
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Television offered me the opportunity to do new things; I had written a lot of scripts other than scary movies. I had actually written some romantic comedies and stuff that I really wanted to try my hand at, and nobody would let me do that. Television allowed me to do anything I wanted.
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The emperor is in the Church, not above the Church.
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I think the only time I show my emotions and anger is on the cricket field; otherwise, I've mellowed down. And with age, I think, with age you always end up mellowing down.
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Born in 1936, I experienced the Second World War as a child in the city of Gelsenkirchen-Buer. This area was heavily bombed, but fortunately, all members of my family survived the war and post-war period.
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A culture produces ideas which are being explored, which of interest to that culture at that moment. And I think one of the things a writer can do is to take those ideas and go a bit further with them.
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I obtained eight years of elementary education in a two-room school, where I encountered a stern but engaging teacher who awakened my intellect with instruction that would seem rigorous today in many colleges. History figured large in the curriculum, exciting for me what was to become an enduring interest.
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One has to have the courage of one's pessimism.
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I can't figure out how you can draft players for a coach that you know coaches a certain a style, and was successful doing that style, and get him to play a style that you feel comfortable with.
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I've been training quite hard.
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I love masculine cuts with suits and chunky jewellery. My hair is so glam, it balances it out, and it's comfy!
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What we hoped was that we could stop the coming end of the world.
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I admired the work of photographers like Beaton, Penn, and Avedon as much as I respected the grittier photographers such as Robert Frank. But in the same way that I had to find my own way of reportage, I had to find my own form of glamour.
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I'm incredibly proud of 'Life On Mars' and 'Doctor Who.' They're just a blast to do.
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I got really hooked on this riff in the middle of this song called 'Minor Miracles' by my friend Eric Johnson from Fruit Bats. I got the tracks for that from him, and that turned into 'Here in Spirit.'
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F. Gary Gray, I think, is one of the best directors I've ever worked with in my life, and I'd love to work with him again.
