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I'm quite a domestic person by nature, and the nomad thing had got a bit stale on me, really.
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My contribution is the romance and the warmth. The love songs.
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I tend to like the traditional sound: three-part harmonies, guitar, and piano. I mean, a well-played guitar is a joy forever... or something.
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I have a lot to be grateful to L.A. for, but I overstayed my welcome by 28 years. I was only meant to be there for six months.
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I left the band because I developed a terrible fear of flying.
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Before shows, we rub elbows and growl. It started once when someone had a cold, and we didn't want to hug each other. So we started rubbing elbows. And we don't kiss. We just go, 'Grrrr!'
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I write about unrequited love in a very optimistic way.
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I don't think talent or the gift ever goes away.
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There were a lot of bad feelings when Lindsey first left the band. But there's been a lot of healing going on, growing up, maturing. The bond is a great deal stronger than what we first thought.
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The chemistry was still there. To me, that was the biggest thing: Would the chemistry be there? Can we really go ahead and do this? And it was obvious within the first moment of plugging in the instruments that the magic was still there. It was a fantastic feeling.
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I do ride a bicycle occasionally, but not those stupid stationary ones you see in gyms. I do have one of those, I must confess, but its quite literally a pain in the arse, so I dont use it.
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My songs are self-explanatory... somebody pointed out to me that... my songs pretty much speak for themselves.
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Stevie Winwood played like I'd never heard anybody play before. It just gave me goose bumps.
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Some of the best songs I've written, I've written in 10 minutes.