Christoph Waltz Quotes
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I take praise as not just a reward and a result but also as the beginning of a new process.
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You see, my version of why anyone would want to become an actor is that it's some psychological fixation, something that happened in puberty that you didn't outgrow in time, which is normal. Nevertheless, if you make it a profession, it can be really neurotic.
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I've always been able to work as an actor and support my family and did great jobs, and more often than not, I got to turn down jobs that I didn't really want to do for various reasons or refuse to work with people I didn't like - and there are quite a few.
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I've done so many jobs because I've had to, not because I've wanted to. And it's honourable to do a job because you need to feed your children, and maybe there is also something in it for your development as an actor. But only up to a point.
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It's easy to not feel misplaced if this tidal wave of appreciation is coming your way.
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You can't always do the extraordinary, in between you have to do the ordinary. Because if you didn't, what would constitute the extraordinary?
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It's not the number of trucks parked outside that make a movie interesting but if you have more money, you have more time. More time enables you to try out other possibilities or follow an interesting lead. I don't like indulgence, but to have more possibilities is always more interesting.
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The villain is usually the most interesting part. But it has to be a smart thing. Just dumb cliche villains with a Russian accent and big muscles and a mean face, I don't know. My Russian accent isn't that great, and the muscles aren't that big and the mean face is not enough. You know what I mean? It gets very boring. Tedious stuff.
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You know, I don't support esoteric approaches to acting.
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I am almost neurotically private myself. Because I think it's an important distinction to make between privacy and public sphere.
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When a new book comes out or becomes accessible in whatever form, I get it and I read it.
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I'm not really all that familiar with comic book culture.
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'The Philadelphia Story' is one of my favorite movies.
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Our hubris needs to be downsized, thinking that profiteering on Earth, on whatever level - environmentally, economically, culturally - is unlimited and everybody should get as much as he wants or she wants. Humans need to be shrunk again to their actual size.
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The thing about 'Spectre' is that it is not the work of hack writers. It does not have a hack director. The actors are not hams.
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I think in Europe, movies are made like a commodity and then sold as art.
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Europeans still believe that working is for living. Americans often have that the other way around.
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It's a misconception that you don't have seasons in southern California. They are just very subtle. The vegetation is very different. Plants react differently. You just have to be a little more observant.
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A James Bond film can be artistically fulfilling. Absolutely it can. It can be complex, and it can be interesting. I consider Bond movies to be an extension of popular theatre, a kind of modern mythology. You see the same sort of action in 'Punch and Judy' or in the folk theatre of various cultures, like 'Grand Guignol.'
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I think Stephen Sondheim is a - and I hardly ever use this word - but this is as close as it gets to a genius.
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I only do what I like to do.
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You know, I don't talk about the characters that I play. Years ago, I was a little timid about it and I kind of squirmed when I was asked, 'Could you tell us something about your character.' Now with a little self-confidence that comes with the grey beard, I just flatly refuse.
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It took me a lot of times watching it that I started to appreciate 'Pulp Fiction.'
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I'm open to working anywhere, but not on anything.