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In 1956, the success of the Hammer films kick-started my career. That immediately gave me a name and a face to go with it. I will always be grateful to Hammer for that.
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I'm much softer than people think. I don't present to the world an emotional face. I'm pretty good at self-control, but I am easily moved.
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My great-grandmother was born in London, the daughter of a Brixton coachman, and became the most famous singer in Australia. Her name was Marie Carandini, Madame Carandini.
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When I was very young - around the age of nine - my family used to go to a house in Somerset that my stepfather rented every summer. There was fishing, lakes and riding.
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We don't live in a particularly attractive world. I don't really remember, except as a small boy, anything but a pretty grim world.
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A whole new career opened up for me when I was in 'Lord Of The Rings' and 'Star Wars.'
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I lived for 10 years in Los Angeles, and the one element that surpasses everything else - that you are very conscious of - is fear. You can smell it.
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I wasn't a spy. I'd have been spotted in five seconds. Yes, I was in intelligence, but that covered a multitude of things.
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'The Impossible Dream' is, in my opinion, one of the greatest songs ever written. Here is a man, an old man, a very old man full of daring, bravery, courage, determination, romanticism and dreams.
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The secret to a long marriage in the film industry? Marry someone wonderful, as I did. And always have her come along on location.
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Somebody once asked me how I found Peter Jackson, and I said: 'Well, I parted his hair, and there he was.'
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The song 'My Way' is a very remarkable song. It is also difficult to sing because you've got to convince people that what you're singing about is the truth. It's a man who is very proud of having achieved everything that he's achieved his way.
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I don't really like long flights any more - I find them too tiring. Flying always involves the same things these days - huge crowds at airports, waiting around, late take-offs, weather problems, and so on. I don't really enjoy travelling. I don't imagine anyone does except young children.
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When the Second World War finished, I was 23, and already I had seen enough horror to last me a lifetime. I'd seen dreadful, dreadful things, without saying a word. So seeing horror depicted on film doesn't affect me much.
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On the Italian side, we can trace the family back 2,000 years. I have a cousin in Rome, a famous archaeologist, Count Andrea Carandini, who was in Lombardy and came across some pottery with the original name of the family, Carandinus, painted on it.
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As far as I am concerned, Don Quixote is the most metal fictional character that I know. Single handed, he is trying to change the world, regardless of any personal consequences.
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I don't play long parts. They must be short parts, but they've got to be parts that mean something, that matter, where people will notice when I'm on the screen, and people will remember the character after they've seen the film.
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I haven't done lots of horror.
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There is a dark side in all of us. And for us 'bad' people, the bad side dominates. I think there is a great sadness in villains, and I have tried to put that across. We cannot stop ourselves doing what we are doing.
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I was always interested in enchantment and magicians and still am.
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I've worked with Tim Burton five times, and it's just like being part of a family; life doesn't get much better than that.
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Films are now made by accountants. They pick a pretty young female or male face out of the air and give them a part - not because they think that person is right for it or is ready for it, but because they think that person will make them money.
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Making films has never just been a job to me; it is my life. I have some interests outside of acting - I sing and I've written books, for instance - but acting is what keeps me going: it's what I do; it gives life purpose.
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There are many vampires in the world today... you only have to think of the film business.