Chuck Close Quotes
No one was more surprised than me when my paintings started selling, except maybe my dealer.

Quotes to Explore
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To forgive oneself? No, that doesn't work: we have to be forgiven. But we can only believe this is possible if we ourselves can forgive.
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I started acting when I was seven. And I went to a local drama school which is very well-known in London. Because of that, I started getting jobs, and I worked all the time as a child, pretty much non-stop.
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Barbarism is needed every four or five hundred years to bring the world back to life. Otherwise it would die of civilization.
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A person who has been punished is not less inclined to behave in a given way; at best, he learns how to avoid punishment.
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My real dream is that everybody will see their self-interest tied up with someone else, whether or not they see them, and see that as an opportunity for growing closer together as a culture and as a world.
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I have often thought of it as one of the most barbarous customs in the world, considering us as a civilized and a Christian country, that we deny the advantages of learning to women.
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When I was a kid, I would make these incredibly bloody movies in my back yard. I was constantly making weird blood concoctions; Jell-O and milk was a good one. I was constantly ruining clothes and staining my parents' walls and stuff.
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I lead a simple life. I feed the fish. I walk the dogs. I cook dinner. Occasionally I take a meeting.
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Living in a small Italian hilltown, and having lived in a small town in south Georgia, I understand that you can recognize a family gene pool by the lift of an eyebrow, or the length of a neck, or a way of walking.
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I am through with baseball forever. I have my farm and my home and enough to take care of me, so why should I work and worry any longer?
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There's a lot of potential that goes unused in places like South Central L.A., a lot of brilliant, smart people who just don't have that chance to show it.
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I was just a mini-star when we did 'Gone With the Wind.'
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Never contend with a man who has nothing to lose.
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The first record I spent five years writing and it was an amalgamation of all the things that happened in my life from the time I was fifteen to the time I was twenty.
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I asked the producers when I was doing 'Y Tu Mama Tambien' if they could give me a VHS recording of the film that I could show to my family, because in Mexico and Latin America, when you do a film, you don't expect anybody to see it, especially not in the cinema.
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You can’t be reluctant to give up your lie and still tell the truth.
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I spent two months in Fredericksburg, Texas, when I was 8, while my father shot a movie, and I loved it. I just embraced the whole cowboy culture. I got myself a pair of awesome boots and a cowboy hat.
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With 'Wicked,' I was stepping into a role that I didn't make so that felt like I had more boundaries then I did with 'Carousel.'
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Every time I do a film, I have to make sure that when someone looks at me, they can't recognise Disha. It has to be a character. I want to do strong roles.
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The worst criminals are not half so immoral as the creators and perpetrators of the unquestionable hell of Christian theology
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I'm pretty confident the why works now. When it first began, somebody said to me: "Will this work in big business?" I said, "I don't know. Let's try." Somebody said will this work in entrepreneurs, relationships or government and military. I said, "I don't know. Let's try." I kept applying the scientific method. I had a theory. I kept applying that theory, looking for opportunities to fail and it kept working.
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In the end, I am quite normal. I don't have odd habits. I don't dramatize. Above all, I do not romanticize the act of writing. I don't talk about the anguish I suffer in creating. I do not have a fear of the blank page, writer's block, all those things that we hear about writers.
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No one was more surprised than me when my paintings started selling, except maybe my dealer.