Charles Kimbrough Quotes
I came out of school just at the time regional theater was first expanding. All of a sudden, lots of new companies needed actors.
Quotes to Explore
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We continue to be bullish on China.
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There are hundreds of people running around with great voices. If they would study and develop them they could become great singers.
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Never regret yesterday. Life is in you today and you make your tomorrow.
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I love cycling.
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Sometimes I wonder where I am from. I am either way ahead or I come from another world. I don't recognise this world.
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I just get focused on whatever is in front of me. When I was filming Crossroads, it had all my focus. Now I'm all focused on finishing my recording so I can get that out. It's just day by day.
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People expect me to be that guy. But I'm more east London boy than east Baltimore.
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For the first time, the weird and the stupid and the coarse are becoming our cultural norms, even our cultural ideal.
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You have the core hip-hop, which would just be beats and breaks, more something like what you hear with DJ Premier. Then you get into the more highly produced hip-hop, which is something like what DJ Khaled does. But at some point, it starts to get kind of pop.
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Animation is different from other parts. Its language is the language of caricature. Our most difficult job was to develop the cartoon's unnatural but seemingly natural anatomy for humans and animals.
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If I can hit No. 1 on the 'New York Times' best-seller list, I'm thinking of having the entire list tattooed on my body somewhere. It would be fabulous.
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I eat a lot of chocolate.
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I'd repair our education system or replace it with something that works.
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Silk Road to Ruin has all the analysis and it's structured very well. I rely on my notes more and I use direct quotes. But there's nothing like writing about it right away.
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Patriotism is the last refuge of the scoundrel.
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I wanted to weave a green thread through the Conservative party; that's my job, and I signed up imagining that I would be in a very small minority within my party, possibly even on my own, battling away on these issues.
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The thing about Drew Goddard and Mike Schur is that they are legit geniuses, and they love storytelling. They love creating worlds, love messing with the audience; they love doing things that we don't expect. To get to be a part of that is too good to be true.
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I'm not afraid of heights. I rock climb. I can repel off the side of a building.
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I tend not to have any references to anything. I just jump into the script in front of me. If you reference too much, you have no idea if the performances are right.
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More tears are shed over answered prayers than unanswered ones.
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Our assets walk out of the door each evening. We have to make sure that they come back the next morning.
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But with nonfiction, the task is very straightforward: Do the research, tell the story.
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Every time I think about writing, comedy doesn't interest me in the slightest. I can play comedy, but I don't think in terms of comic dialogue.
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I came out of school just at the time regional theater was first expanding. All of a sudden, lots of new companies needed actors.
