Dwight Yoakam Quotes
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I've always been just kind of consumed by my own thoughts.
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Control success before it controls you.
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I am probably the last of a generation able to gain an education in country music by osmosis, by sitting in a '64 Ford banging the buttons on the radio.
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In the past 3-4 years I've developed a habit of keeping numerous small cassette recorders in my house and in a bag with me so that I'm able to commit to tape memory song ideas on a constant basis.
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Film acting has been a very pure experience, because you have to give the purest form of yourself as an artist.
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I live out of cans a lot. But I try to indulge only in healthy canned food.
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However you arrive at the ability to ignore self-doubt - if you can acquire it or possess it or find it or discover it - move beyond self-doubt.
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But that is a valid, continuing service that that music - which is, in some cases, 80 or 90 years old - is rendering. And proving its own timelessness.
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No compression or as little as possible - that's how you get a good recording.
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The actual work of recording a record or making a film just requires that you consciously block the time out to do that and nothing else. That's what I do.
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Quality is timeless: It will clearly define itself. And so I make reference to and acknowledge things that I feel have been dismissed, trying to restate those musical and cultural elements clearly and vehemently.
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To me, the hook of the riff is what makes a great guitar recording. It's the backbone of the whole song. When you have a strong riff, it's the rocket fuel for the track.
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My music is very personal. I've created it in solitude. I face a white wall and beller. I like that sound - the expression of loneliness. That's what it's all about.
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Country music originates with the colloquial, rural aspects of white America. It's really, truly, rural white America's blues.
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I don't regret any of the musical decisions I have made.
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I can't escape being born in Pike County, Kentucky, grandson of a miner, Luther Tibbs, and his wife, Earlene, and traveling as a child up and down Route 23 between Kentucky and Columbus, Ohio, where I was raised, experiencing life via working-class people. Nor do I want to escape.
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It's meant to reaffirm the validity of that music - clean, minimalist, honest, classic music.
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I think actors are at the mercy of the opportunities presented to them. So you kind of have to wait for them to choose you. My music is insular - I can choose that.
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I was very fortunate in having David Fincher, the director come to me. Now I've seen the finished product, I feel that every bit of the nine months we spent on the film was worth it.
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I played music and sang from my earliest memories. The first pictures of me show me wandering around with a guitar that was larger than I was, and it became almost second nature to me.
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Music's the one thing I try not to analyze. I don't want to destroy the magic that has always been there for me.
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A voice expressing emotion in a musical way moves on. It's like the finale of the movie 2001: A Space Odyssey (1968) - the world turns in on itself, as a universe unto itself, in the shape of one human being.
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Musicians exist independent of any of the marketing terms or the categorization.
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I tried to pay some small tribute to A Man and a Woman (1966) with the recurring musical theme.