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I tried to pay some small tribute to A Man and a Woman (1966) with the recurring musical theme.
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I embrace country music because of love, a love of what I came from.
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'm really proud of it. To me, it's a movie about character behavior and the pecking order of the pack, as well as the central character's massive survival guilt.
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We share something in common with the fabric of the whole universe that connects us.
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Ironically, the success I've experienced at country radio has left me ostracized from pop and other formats of radio.
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When I was in junior high, a foreign-history teacher started a theater class. So I got my feet wet there and through high school, so I was very fascinated with acting as a means of expression.
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My parents were not affluent people and were not - didn't come from the extremities of education. My mother had a high school diploma. I often think I so wish she'd come out of the hills in Appalachia and been able to go on to college. I think she would have made a wonderful teacher.
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In addition, I'm finishing a track for the movie 'Waking Up In Reno', but there are numerous other singers I look forward to recording with in the near future.
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As a writer, I always tend to take the liberty and the great artistic luxury of a composite form of writing.
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I like order. It allows me to have chaos in my head.
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Fortunately any of the songs we've recorded can be extremely fulfilling to perform depending on the variety of circumstances that surround any given show.
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At the end of the film Val suggests there may be a way to rejoin the living, when he says, 'Let's see if we're able to live among the living, walk among the living.'
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It varies from song to song, although Buck Owens and I recently collaborated on writing a duet together and am looking forward with a great deal of anticipation to recording that track for the new studio album.
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As an artist, you have to maintain focus and eliminate the distraction of second-guessing yourself based on the opinions of others.
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I'll never quit playing country music, or at least acknowledging it, always, as the cornerstone of what I am.
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It became a metaphor for the lives of the people in this film and for the Old West, for the abandonment that occurred in the early part of the 20th century.
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The future has a lot to do with the past.