Bernard Hill Quotes
I had a really good time working with Jim Cameron. A lot of people didn't, but I did as I got on with him really quite well. For a director who spends most of his time looking down a lens or in the digitisation studio or working out some graphics, he is actually very good with actors.
Quotes to Explore
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I have to wear two sports bras when I do my cardio. It takes a lot to hold these puppies up!
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I don't ever have the pressure of making a hit, because I've never had a hit song, per se. The closest thing to a hit song was 'Shiraz,' and it's not your prototypical hit song, with a catchy hook and all this other stuff.
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When you sing gospel you have a feeling there is a cure for what's wrong.
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My aim is to change the social norms of Pakistan; women here look up to me. I started very early, worked on myself, and the effect is for all to see.
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I love working the legislative process.
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I know what feels good to eat and what doesn't. I try to err on the side of choices I know will leave me feeling more energized and ready to go, because it's always better to feel healthy.
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I am not Shakespeare or Hemingway, but I have written stories on tennis that were brilliant.
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For me, it's actually really hard to write about my real experience. Like to do a Taylor Swift. You know what I mean? It's so brave to actually write about things that happened and things you wanna get off your chest, but I'm not really there yet.
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I would love to do some theater.
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Cartooning was a good fit for me. And yet now, years later, I almost never think about it.
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I'm associated with gospel music in the minds of millions of people.
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I'd always put on little shows at home, but when I was 11, I did a community event in Woodford, where anyone could go. You had three days of vocal training and performed your song at the end.
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I don't like baseball movies. I like movies about moral courage and people who are indomitable and courageous and right.
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The true measure of success for the U.N. is not how much we promise, but how much we deliver for those who need us most.
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Actors don't have real value.
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I'm from New York. My grandparents were settlers of Long Island City. When they came here, there was no bridge, and they had to hire a boat across the river. They had a farm, and my grandmother had to go once a week to Manhattan to buy provisions - very primitive.
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Themes only arise after a novel is written, and people begin to try to talk about it.
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I have great admiration for the way the Americans do business. They drive a hard bargain, but once they do it, they stick to their contracts.
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I'm the kind of person that if I try to throw it hard, it doesn't come out as good. So my whole thought process is to stay smooth, stay on top of the ball, and just get my hand out in front.
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When I was young, I was obsessed with Michael Jordan and the Bulls. He's the only person I get starstruck over. I don't know what I'd do if I met him - I'd be in shock! That's my dream.
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As soon as one of my records goes on, it makes a vast portion of the public nervous. They get spooked by it. To some people who have ears to hear, it's a delightful, refreshing change. But to most of the public, it's a load of homemade-sounding nonsense.
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I'll be honest. We copied everyone... the Beatles, the Bachelors. It was the only way people would even listen to you.
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I definitely taught my parents how to text and how to charge their phones.
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I had a really good time working with Jim Cameron. A lot of people didn't, but I did as I got on with him really quite well. For a director who spends most of his time looking down a lens or in the digitisation studio or working out some graphics, he is actually very good with actors.
