Bernard Hopkins Quotes
Quotes to Explore
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I never cared about modeling. As a model, you're powerless.
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I had long hair when I was a teenager.
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I really don't care if people know who I am or what's said about me.
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Honestly, I wish I could be a part of all the remakes of my father's films. But on second thought, I wouldn't want to be a part of any. The thought of being compared to him is unnerving. I'd rather do my films than live in the fear of living up to his standards.
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Obviously, it gave me a chance to see Barcelona. I won't deny that. But I also had a chance to see something in another country in terms of recycling and reusing nuclear material.
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First developed as a weapon by the U.S. Army, VX is an oily, odorless and tasteless liquid that kills on contact with the skin or when inhaled in aerosol form. Like other nerve agents, it is treatable in the first minutes after exposure but otherwise leads swiftly to fatal convulsions and respiratory failure.
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I wanted as little formal linguistic theory as I could get by with. I wanted the basic linguistic training to do a translation of the New Testament.
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The most enduring stories in literature generally have some kind of crime at their center, whether it's the bloody butchery of 'Hamlet,' the lecherous misanthropes of Dickens or the lone gunman from 'The Great Gatsby.'
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Trust your gut. You know yourself, so don't let somebody else tell you who you are.
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I know I've got a degree. Why does that mean I have to spend my life with intellectuals? I've got a lifesaving certificate but I don't spend my evenings diving for a rubber brick with my pyjamas on.
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It's such a hard thing to write a song for your fans without sounding naff and thanking them for spending money on you.
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Dallas was a Black and White society at that time; it didn't have the diversity it has now.
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I say that Pakistanis should not consider girls as weaklings.
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The grand saga of how humans spread across the globe will need some amendments and annotations – rendezvous here, elopements there, and the commingling of genes most everywhere.
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I used to spend my holidays there in my grandparents' large family house, with my numerous cousins. When I die, I am going to be buried in the village cemetery.
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On set is where I feel comfortable. The red carpet stuff, talking about the film, explaining your own life, it doesn't come naturally. It's all necessary stuff I suppose but it's not my strength.
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There's always been a relationship between the film world and fashion.
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I've realized that my... let me call it 'destiny' or some force that has pushed me to identify looking for your comfort zone as a kind of limitation. And everybody has a tendency to fall into the comfort zone. I did that in the early stage of my career.
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I think it is important for children to read different things to find out about their emotions and other people's emotions. It is an enormous source of education and culture.
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You don't win without talent, but your talent has to have purpose.
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I felt that The Who had ended because we'd lost touch with our original Shepherd's Bush audience.
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The film [Django] really has a lot of ups and downs, and taps into a lot of different emotions. To me, the trick was balancing all those emotions, so that I could get you where I wanted you to be by the very end. I wanted the audience cheering in triumph at the end.
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If we are serious about moving toward energy independence in a cost-effective way, we should invest in solar energy. If we are serious about cutting air and water pollution and reducing greenhouse gas emissions, we should invest in solar energy.
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Ninety-nine percent of getting over a problem is mental.
