Kenya Barris Quotes
When you walk past a painting in a museum, if it doesn't make you feel something, then it's probably a failure.
Quotes to Explore
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In America, there's a failure to appreciate Europe's leading role in the world.
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Yesterday, I did some painting then went out to buy an onion and came home and watched 'University Challenge.' The onion was probably the highlight.
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One's past is what one is. It is the only way by which people should be judged.
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I wasn't rebellious. Other friends had far stricter parents and where there wasn't a relationship of respect and communication, they were usually the opposite; kids go to the other extreme.
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I wish I had the billions of dollars that George Soros has that he has used to fund Democratic causes in the past.
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I had a one-year-old son. How will my failure or success limit what he becomes? I was trying to write screenplays. It doesn't pay very well until you sell one. I was poor.
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Well, one always has an instinct to be a painter, and I've done quite a lot of painting at one time or another, though not with any public success.
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The past is but the past of a beginning.
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Music evokes so many feelings in us, memories, nostalgia, things that are connected to our past.
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What 'Floating Worlds' does draw on is Holland's artistry in bringing the past to life in her historical fiction and depicting the people who inhabited that past.
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I like connecting the abstract to the concrete. There's a tension in that. I believe the reader or listener should be able to enter the poem as a participant. So I try to get past resolving poems.
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Painting is a source of endless pleasure, but also of great anguish.
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We Muslims in the West, like Jews before us, grapple with the same issues that Jews of the past did: integration or isolation, tradition or reform, intermarriage or intra-marriage.
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The mistakes and unresolved difficulties of the past in mathematics have always been the opportunities of its future.
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My friend was on dialysis for six years before he got a new kidney. I was on dialysis for eight months. I'm almost not even the typical person who has kidney failure.
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I don't believe in cutting out people from the past. It doesn't give strength; it just gives loneliness.
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Everyone sort of sees his own life and times as being ephemeral. One thinks that everything good or important that happened, happened in the past. But I think that seeing scenes that you are used to, but with the heightening effects of poetry, perhaps makes you value your life and times more than you might otherwise do.
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One of my favorite feelings is the sense I get from pouring over parts of my past before lighting them up and leaving it all behind me to start over again.
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I know that in my past I was young and irresponsible - but that's what growing up is. You learn from your mistakes.
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Three or four years ago a distinguished Frenchman, M. Hovelacque, published an article on America in the Revue de Paris in which he maintained that the essential weakness of our American civilization lay in the failure of our education to produce any equivalent of the superior man of Confucius or the καλὸς κἀγαθός of the Greeks.
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I've just been lucky. I'd like to have more choices, and I'd like to have a leading part.
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The borderline between prose and poetry is one of those fog-shrouded literary minefields where the wary explorer gets blown to bits before ever seeing anything clearly. It is full of barbed wire and the stumps of dead opinions.
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We've spent now about 150 years trying to convince ourselves that photographs are reliable evidence, some unimpeachable slice of the real world. That was a myth from the very beginning.
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When you walk past a painting in a museum, if it doesn't make you feel something, then it's probably a failure.
