Fetty Wap Quotes
Quotes to Explore
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I don't know how I did it, but I worked 7 days a week.
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Dr. Phil is hiding something. Otherwise, why wouldn't he use his last name?
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In my district, the ports of Long Beach and Los Angeles handle approximately 44 percent of all of the goods delivered to American shores, yet they are in constant need of revenue for facilities, improvements and upgrades to roads and bridges and rails.
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It is a growing process. You can't just like beer. You have to start somewhere and learn the different flavors.
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It's so necessary to try and record the cultural memory of people. To set it down for generations to come. To better understand where we are headed. The problem is, a good portion of what we choose to remember is about willed forgetting. Which we all do, I believe, to protect ourselves from what is too difficult.
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Jenna's traveled with me; they've both traveled with their dad. This is the only time they've been old enough in all of their dad's campaigns to really be involved in.
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All of the characters in my films, they share one commonality. It doesn't matter whether they are good or bad, it doesn't matter whether they are smart or stupid, these characters all take responsibility for their own behavior. I'm much the same.
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My hope that Thatcher would inadvertently bring about a new political revolution was well and truly bogus. All that sprang out of Thatcherism were extreme financialisation, the triumph of the shopping mall over the corner store, the fetishisation of housing and Tony Blair.
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I want to keep a thread between the studio and the stage, and I want to flow more easily from one to the other.
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I actually started playing in little cafes around New York, and I have a lot of good friends of mine who are musicians who are struggling in New York.
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I have been extremely lucky with reviewers and critics throughout my career.
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I'm sure lots of actors and creative people go through this, where you have some weeks where it's all going according to plan and some weeks where you're super frustrated.
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In England we have come to rely upon a comfortable time-lag of fifty years or a century intervening between the perception that something ought to be done and a serious attempt to do it.
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Making music is fantastic.
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I think everybody understands the fact that the right person will be cast for the role. So it's not theirs really to lose; they're just trying to find the right person.
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It may easily come to pass that a vain man may become proud and imagine himself pleasing to all when he is in reality a universal nuisance.
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If you want to live a long life, focus on making contributions.
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Criticism always seemed to me a lot like police work. You look for clues, fingerprints, motives. You need to construct an airtight case.
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In the United States 'First' and 'Second' class can't be painted on railroad cars, for all passengers, being Americans, are equal and it would be 'unAmerican.' But paint 'Pullman' on a car and everyone is satisfied.
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The consequence of Mr. Bush's and Blair's historic lie that the reason for invading Iraq was weapons of mass destruction, is that everything is being doubted.
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One can say of language that it is potentially the only human home, the only dwelling place that cannot be hostile to man.
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One thing that really appeals to me is this idea of music being a living thing that has an evolution that, in a way, enables the artist to sell a process rather than a piece of product.
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They still need to keep working at getting people to recognize it as an artsy place. There's the potential for Windward, but it's going to take some of the big landowner merchants realizing what we realize: that art pays for itself.
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If only the people around you know you're an artist, then you're doing something wrong.
