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The very first proper play I did was 'Godspell,' and I played the guitar for it, and I had a small part in a high school play. And before that, in sixth grade, I wrote a musical about Noah's ark.
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'Mojave' is a very wild, throwback film with these two dudes going after each other.
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Advice? Look at your pay statements.
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It'd be crazy to say just because an artist is not successful that means he's not talented. I don't think anybody really believes that, but sometimes it feels that way.
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You can't try to be authentic. You either are or you aren't.
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I played guitar and bass. I didn't do much vocals, although I did have one band where I was the lead singer. But that was when I was in college.
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I've done movies I'm very proud of, but there's always a sense of: 'Come see this shiny new car!' The question I hate the most is: 'Why should people see it?'
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I think that's why often people in creative fields can feel so alone is because there's a constant third eye, that constant watcher.
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I don't know why people are so obsessed with finding out stuff before the movie comes out. It's so much more fun to just go. I mean, I don't do that. I don't go looking for stuff that I'm interested in, you know, to try and find out pictures and what the movie's about. It's so much more fun to be surprised.
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In a play, you dictate pace, you dictate rhythm, you dictate when people look at you, when people should be looking at something else. In film, the editor does that.
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I like films that take their time a little bit more and don't show you all of their cards right away, characters that are conflicted and contradicting and seem one way at first and then suddenly turn out to be something else.
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How do you play 'righteous'? Do you just kind of stand up straighter? What does that mean as an actor? You don't really play a quality.
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I think it's the director's prerogative, not the studio's, to go back and reinvent a movie.
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I was in bands, but they were punk bands, and you plug in the guitars, you turn them up really loud, you've got four or five other people on stage with you, you've got some protection from when they throw lighters. You can always hide behind the lead singer or the bass player.
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What's funny in 'The Mayor of MacDougal Street' is how Dave Van Ronk talks a lot about the time and how exciting it was and how electric it was.
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Anything that's made by humans is about humans, whether it's about gods or aliens or anything; it's about some sort of expressive nature about us.
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There's nothing scarier than unlimited choices.
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If you start trying to communicate ideas, I think you don't allow the audience to see themselves.
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Anybody who dedicates himself to exploring the human condition, there's always a detached eye that's watching. In any situation, a little part of me is observing it, to see if there are any raw materials to create something else later.
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Jessica Lange was my biggest crush when I was a kid.
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Most actors, if you ask them if they play guitar, they'll say they played guitar for 20 years, but what they really mean is they've owned a guitar for 20 years.
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I'm open to the idea of doing more musicals if it's one that I really enjoy.
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The better I am at observing moments in life, the better I'll be at showing them in my acting.
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Talent is very hot.