Friedrich Nietzsche Quotes
Quotes to Explore
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Jessi is a great person. She really is. She's been a friend to me all through all my bad times, and she's understood what I was doing. She came up with that one saying, which was great.
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I worked from 10 p.m. until 1 a.m. every night for a year to write the first 'Chicken Soup for the Soul' book.
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The humanitarian lays stress almost solely upon breadth of knowledge and sympathy.
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I grew up playing golf, and if I were ever good enough to play professionally, I would get to travel the world while playing a sport I love.
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Always write as if you are talking to someone. It works. Don't put on any fancy phrases or accents or things you wouldn't say in real life.
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I learned how to read in second grade, and I entered a summer contest at my local library in Chattanooga, Tennessee. If you read more books than anybody else, you got your Polaroid up on the bulletin board, and I did.
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The most important thing is to just be good at what you do. You do a good job playing the character, and people will be taken up with your character, not your clothes.
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Stardom happens - you can't plan it - it's destiny, and you shouldn't stand between you and your destiny. I'm letting my destiny play its part, and I go by my gut feeling. If I like my role, I say yes; if I don't, I just refuse, as simple as that.
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Calling it off comes easy enough if you haven't told the girl you are smitten with her.
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I auditioned for 'The Office,' and I don't know if it was a role I could do, but I liked the character. You do one take, and you're reading with a person who's just sitting in a chair and not really... you're not playing off someone, which is what I like to do. I like to play around and find the moment.
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Pessimist: One who, when he has the choice of two evils, chooses both.
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The sort of poetry I seek resides in objects man can't touch.
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My parents are so cool, so chill, super hip. They know what's up.
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A lot of people like to run in plays because it's a nice, steady job.
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That's what you want to do as an older artist - you want to reinvent, but there has to be that vein in there for why people were listening to you before in the first place.
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I was always quite good with accents - I always had quite a good ear - so from the age of about 13, I used to do a lot of voiceover and dubbing for foreign films.
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Everyone asks me if I'm the princess or if my brothers beat me up. The younger ones I can deck pretty easily. With the older ones, it's harder.
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Books have always helped me make sense of things. With any life experience, you can find someone who has documented it in a poetic way.
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People tend to compartmentalize themselves into IT people, and movie star people, and scientists, but when we share our perspectives about nature, we find a common denominator.
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Writing is rewriting; rewriting is writing - from the first crossed-out word in the first sentence to the last word inserted above a caret, that most helpful handwritten stroke.
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The things I see now on TV and in movies are so outlandish. Kids doing rude things with pies! And the language that they use! It's being outrageous for the sake of being outrageous. I can't watch it. It turns me off.
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Vietnam helped me to look at the horror and terror in the hearts of people and realize how we can't aim guns and set booby traps for people we have never spoken a word to. That kind of impersonal violence mystifies me.
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A lot of the distinctions that we make between drama and documentary are spurious. We're deeply confused about these issues. About the difference between the two, about where documentary ends and drama begins.
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The philosopher caught in the nets of language.
